By: Steve Dinneen

Life&Style Editor I'm the editor of City A.M. The Magazine, and editor of the daily newspaper's Life&Style section. We cover food, wine, going out, culture, technology and travel. I'm also the head judge of our Toast the City awards that celebrates hospitality in the Square Mile. Find me on X @steve_dinneen

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The Invisible Man review: A brilliant self-contained horror story

February 27, 2020

It is absurd to think The Invisible Man was conceived as a foundational part of a ‘Classic Monsters’ shared universe, the beginning of a franchise that might sit alongside Marvel’s Cinematic Universe. The project was unveiled with a now-infamous, heavily photoshopped picture of celebrities including Johnny Depp, Russell Crowe and Tom Cruise, who were to [...]
A Number at the Bridge Theatre review: Caryl Churchill’s sci-fi drama asks what it means to be human

February 27, 2020

A second Caryl Churchill play opens in as many weeks, with the Donmar’s production of political dystopia Far Away followed by this sci-fi drama, which somehow condenses more than 2,000 years of ontological philosophy into a razor-sharp 60 minutes. The two-man production opens with a father and son (Roger Allam and Colin Morgan, respectively) embroiled [...]
Working Lunch: Wilder is serious food for serious people, but seriously good

February 26, 2020

We pick the best places to wine and dine your favourite clients. This week: Wilder at Boundary London, Shoreditch WHAT IS IT? A new restaurant located in the bowels of Terence Conran’s Boundary London, which also houses Albion and that nice roof-garden you can never get into when it’s sunny. Wilder is located down so [...]
Working Lunch: Casa do Frango in Shoreditch is the posh Nando’s of your dreams

February 21, 2020

We pick the best places to wine and dine your favourite clients. This week: Casa do Frango in Shoreditch What is it? If I were to say the words “authentic Portuguese piri-piri chicken”, chances are you’ve started salivating, like one of Pavlov’s greedy dogs, over the thought of a lovely, cheeky Nando’s. It doesn’t matter [...]
Greed film review: Steve Coogan sets out to prove greed is not good

February 21, 2020

I’m a member of an very in-exclusive club: people whom Sir Philip Green has called a c**t. There was no real malice behind it – I was writing a story about his fashion brand and that was simply the way he spoke to the media. Still, there was something cathartic about watching Michael Winterbottom and [...]
Thronebreaker: The Witcher Tales on Nintendo Switch review: Gwent is back and it’s never felt so good

February 17, 2020

Gwent, light of my life, fire of my loins. My sin, my soul. The Witcher 3 is one of the truly great open-world games, mind-boggling in its scope and masterful in its execution. But there were times when it felt like elaborate padding around the in-game pastime, Gwent. I clocked over 300 hours in this [...]
Working Lunch: Jason Atherton’s Grosvenor Square restaurant The Betterment

February 17, 2020

The best places in London to wine and dine your important clients. What is it? The Betterment is not, as the name suggests, an austere Swiss wellness centre, nor is it a cool new cult you can join. It is in fact the latest restaurant by Jason Atherton, who appears to have run out of [...]
Steve McQueen at Tate Modern review: Dramatic retrospective muses on what it means to be human

February 14, 2020

I’m not sure anybody has perfected the art of translating video installations into blockbuster gallery retrospectives, but the Tate Modern comes pretty darned close. Having Steve McQueen as your subject helps, of course. He’s the man with the Midas touch, a Turner-prize winning artist turned Oscar-winning director. The Tate collects pieces from after his 1999 [...]
Nora: A Doll’s House review: Elaborate reworking doesn’t do Ibsen’s classic justice

February 14, 2020

The works of Ibsen are perennial candidates for a thorough reimagining, his quietly devastating studies of class struggle and women’s rights depressingly relevant for each subsequent generation since he started writing in the mid-19th century. A 2018 production of The Wild Duck at the Almeida, for instance, featured actors speaking as “themselves” as it explored [...]
Death of England review: Rafe Spall dazzles in this timely portrait of the resurgent far-right

February 14, 2020

Rafe Spall asserts his credentials as one of the finest stage actors around in this percussive, often hilarious one-man play about working class racism. He plays Michael, an Essex flower-seller whose oily patter masks a vast well of toxic emotion. He’s the guy in the pub who’s all smiles until he’s kicking the life out [...]

Mexico minister: Fifa World Cup host Jalisco safer than New York City

Newcastle United and Everton stadium sales are not solutions, they are delays

Barbican Centre: the brutalist landmark weaving art into everyday London life.

By: Steve Dinneen

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