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Culture

  • Pokémon Sword and Shield review: A spectacular upgrade for Nintendo’s chart-topping series

    November 21, 2019

    Pokémon’s creator GameFreak was uncharacteristically secretive during the development of Sword and Shield, the latest pair of monster collecting games in the world-dominating, 23-year-old franchise. Now it’s clear to see why the studio played its cards so close to its chest: the new games shake up the rulebook in a way that might have given [...]

  • Death Stranding review: Hideo Kojima’s game about delivering parcels hits dizzying highs and terrible lows

    November 20, 2019

    There’s an entire genre of games disparagingly referred to as “walking simulators”. In most of them, walking is simulated in only the most rudimentary of ways – you tend to glide about the place, looking at sunsets and picking up fruit.  Japanese auteur Hideo Kojima has created a true walking simulator, a game in which [...]

  • Anselm Kiefer: Superstrings, Runes, The Norns, Gordian Knot at the White Cube – destructive, glorious chaos

    November 15, 2019

    ★★★★★ Anselm Kiefer’s latest solo exhibition Superstrings, Runes, The Norns, Gordian Knot at the White Cube in Bermondsey is both apocalyptic and redemptive. Its title plays on various myths and allegories that have preoccupied Kiefer for the bulk of his 50-year career, and that he now ties together with his latest obsession – string theory. [...]

  • Six pictures that show the City of London skyline like you’ve never seen it before

    November 10, 2019

    Photographer James Burns has been hauling his camera to the top of London’s tallest buildings for the last 10 years. He sees the story of London over the past decade as one of skyscraper proliferation. “When I started photography, London’s skyline was a little bit boring. I used to take photographs with the intention of [...]

  • The Aeronauts film review: Felicity Jones shines in this good old-fashioned adventure

    November 8, 2019

    A template is emerging for films starring Eddie Redmayne, and The Aeronauts fits it. It’s a period piece (in this case, the 1860s), everyone is endearingly upper-class, and proceedings are dominated at all times by an overriding sense of whimsy. It is based on the true Victorian adventure story of scientist James Glaisher (Redmayne) and [...]

  • Doctor Sleep film review: Returning to the Overlook Hotel is a joy in this mid-tier horror

    November 1, 2019

    Stephen King hated Stanley Kubrick’s adaptation of The Shining. He didn’t like the way Kubrick’s film existed purely in the realms of psychological metaphor, and he didn’t care for the unsympathetic portrayal of the Torrance family (I suspect Kubrick’s brusque treatment of King, refusing to even read his original screenplay, had something to do with [...]

  • RSC’s As You Like it at the Barbican: Fresh and flirtatious but too self-conscious

    November 1, 2019

    The Royal Shakespeare Company’s first offering from its ensemble season at the Barbican takes us on a journey from the royal court, deep into the Forest of Arden.  It’s a playful, mad, physical comedy, with a number of laugh-out-loud moments and some strong performances. Speech and tone are casual and the production feels modern, fresh [...]

  • Botticelli in the Fire at Hampstead Theatre review: A giddy nihilistic romp

    November 1, 2019

    Botticelli in the Fire is a giddy nihilistic romp. A pyrotechnic period drama that vigorously thrusts its way into a position of contemporary cultural relevance, somewhere between Brexit and RuPaul’s Drag Race. Jordan Tannahill’s script is Shakespearean in its regard for historical fact and Brechtian in its regard for the fourth wall, a mish-mash of [...]

  • The Antipodes at the National Theatre: An excruciating look at the creative process

    November 1, 2019

    Writing stories is hard. This seems to be the message behind Annie Baker’s new play The Antipodes, an excrutiating, self-indulgent insight into the misery of the creative process.  ­The entire play takes place in a nondescript conference room, in which a bunch of writers fawn over an aging director reminiscent of George Lucas. His methods [...]

  • 24/7 at Somerset House review: The story of a world in flux

    November 1, 2019

    For an exhibition about how fragmented and confusing modern life can be, 24/7 at Somerset House has an appropriately short attention span. The flashing, clattering, often overwhelming show bounces from subject to subject, medium to medium, tackling issues as diverse as screen addiction, mass surveillance, light pollution and sleep disturbance. It tells the story of [...]

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