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Culture

  • Spectre film review: a hollow ghost of a Bond movie

    October 22, 2015

    Cert 12A | ★★☆☆☆ There’s an old episode of The Simpsons where a Bond parody escapes death using an improbable device. It’s funny because we recognise its ridiculousness, having seen it played out countless times in the classic pre-scowly Daniel Craig days. It’s less funny when it happens in director Sam Mendes’ Spectre; one scene [...]

  • Jean-Etienne Liotard art review: Has the Royal Academy managed to revive interest in the Swiss-French painter?

    October 22, 2015

    ★★☆☆☆ | Royal Academy Jean-Etienne Liotard was an eccentric chap, by all accounts. The great aristocratic families of Europe thought he was a right laugh, with his eye-catching oriental robes and waist-length beard. They flocked in their hundreds to ask the Swiss-French painter to paint them and Liotard, who was a dab hand at pastel [...]

  • Plaques and Tangles, Royal Court theatre review: Alzheimer’s play’s intimacy and exceptional acting hit the hardest

    October 22, 2015

    ★★★★☆ | Royal Court Plaques and Tangles, a play about three generations of a family blighted by Alzheimer’s, wears its weighty subject remarkably lightly. It circles with the grace of a featherweight boxer, throwing occasional jabs, ducking and weaving, waiting until your guard is down before hitting home its crushing, terrifically sad finishing blow. It [...]

  • Tate Modern exhibition: Turbine Hall’s Empty Lot is too timid for this imposing space

    October 15, 2015

    Tate Modern | ★★☆☆☆ The Turbine hall has its first new installation since Damien Hirst filled the biggest gallery space in the country with a human skull. Abraham Cruzvillegas piece, Empty Lot, is more thoughtful, less immediate and, at least for now, a whole lot uglier. It’s a giant wooden terrace raised on salvaged scaffolding, [...]

  • Theatre review: Measure For Measure

    October 15, 2015

    Young Vic | ★★★★☆ The Duke wades through a pile of blow up sex dolls, kicking plastic bodies out of his way. He pauses and says, “I love the people.” These inflatable citizens are no lewder than those who inhabit the city of Vienna in Shakespeare’s barmiest play. Often referred to as a “problem play”, [...]

  • Pan movie review: Director Joe Wright’s origin story employs all the tired cliches

    October 15, 2015

    Cert PG | ★☆☆☆☆ When you were a child watching the Disney version of Peter Pan and you saw him fly through the window of the Darling household, all chilly in his tights and green tunic, did you ever think, “Who ARE you, Peter? Where do you COME from?” Me neither. No one cares. But for some [...]

  • Crimson Peak movie review: Guillermo del Toro’s gruesome gothic fairytale brings the art of darkness to the screen

    October 15, 2015

    Cert 15 | ★★★★☆ Guillermo del Toro set out to create a haunted house drama to rival the very best in the genre – the Exorcists and the Shinings of the world. He succeeds with the haunted house part, but not so much the drama. Part gothic horror story, part ethereal fairytale, Crimson Peak follows Edith Cushing [...]

  • Teddy Ferrara review: a tangled play exploring homophobia, bullying and hate in the wake of tragedy

    October 15, 2015

    Teddy Ferrara is a play that manages to say a very small amount about a great many things. It’s set around an American campus on which a dizzyingly comprehensive catalogue of LGBT issues are being tackled in the wake of a student suicide. To unpack, Christopher Shinn’s play explores homophobia in both its standard and [...]

  • Art review: Frank Auerbach, Tate Britain

    October 8, 2015

    Walking through Frank Auerbach’s retrospective at Tate Britain is rather like flicking through a family photo album. It’s full of personal subjects that change incrementally over decades, of self-portraits, friends, his wife Julia and Mornington Crescent, where his studio has been since 1954.   There’s also another reason to get up close and personal with [...]

  • Goya: The Portraits explores the legendarily dark artist’s less nightmarish output

    October 8, 2015

    GOYA: THE PORTRAITS NATIONAL GALLERY RATING ★★★★☆   Goya is perhaps best known for his scary painting of a giant naked fella munching down on a little man, voraciously chomping his arm and head off with the wide-eyed expression of somebody who’s just remembered he left the patio door unlocked. It’s spooky business round Goya’s house, [...]

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