My Inspiration: Classical pianist William Howard on the sheet music that inspired his latest project, Sixteen Love Songs April 29, 2016 I became very passionate about Czech music in the 1970s when I was a student. I went to Prague in 1984 during Communist times, and I’d go to second-hand music shops where you could pick up music phenomenally cheaply. I used to come home with piles of scores; lots of stuff I’d never heard of. [...]
Elegy is a haunting sci-fi tale about love, loss and memory April 28, 2016 At just over an hour, Elegy churns through an ocean of subject matter in a very short space of time. Its three characters tackle issues including marriage, death, the science of selfhood, shattered minds and lobotomised memories. It does all of this backwards too, with its handful of skilfully arranged scenes unfolding in reverse chronological [...]
A Comedy About a Bank Robbery is a triumph of physical comedy April 28, 2016 A Comedy About a Bank Robbery | ★★★★☆ | The Criterion First, there was The Play That Went Wrong, followed by Peter Pan Goes Wrong; now The Mischief Theatre Company – the improv outfit behind the surprise West End hits – is actually trying to do something well. The cast have taken the slapstick perfected in [...]
Jake Gyllenhaal destroying an expensive set of drawers with a mallet can’t save this unconvincingly surreal dramady April 28, 2016 Demolition | ★★☆☆☆ | Dir. Jean-Marc Vallé Jake Gyllenhaal plays Davis, a businessman who escapes unscathed from the car crash that killed his wife. His reaction is stunned. He disconnects from reality, listlessly ghosting about the place like a sad mannequin, forcing out tears in front of a bathroom mirror and trying to fake up [...]
Captain America: Civil War – a slick, fun blockbuster that’s happy to play the hits April 28, 2016 Captain America: Civil War | ★★★★☆ | Dir. Joe and Anthony Russo You can draw all kind of political parallels from Marvel’s Captain America: Civil War. Right vs left, libertarian vs statist, Stronger In vs Brexit. It boils down to this: are you on the side of the faceless bureaucrats who want to stifle our [...]
Ori Gersht’s first UK show examines the nature of flux in a static medium April 25, 2016 Israeli photographer Ori Gersht is best known for his photographs of tranquil landscapes that retrace the paths of past traumas: his 1998 series After War was taken around Sarajevo, while White Noise was shot from a train between Krakow and Auschwitz. The historical memories create a tension between the beauty and stillness of the present [...]
Secret Cinema Presents: 28 Days Later is as accomplished as anything the company has tried before April 21, 2016 You know the drill by now: turn up at a secret location, wear a certain outfit – a haz-mat suit or hospital scrubs in this case – and experience an immersive theatrical experience based on a popular movie. This time it’s 28 Days Later, and the frenetic opening minutes more than live up to the clear potential [...]
Jane Got A Gun review: Natalie Portman struggles to save a messy film April 21, 2016 The Western, that great American genre, hasn’t treated the fairer sex very… well, fairly. Their role is usually confined to prostitutes or prizes to be won in a shoot out. Jane Got a Gun wants to be something more. It started life with Lynne Ramsay, the Scottish director behind outstanding adaptations of We Need to [...]
Funny Girl review: Sheridan Smith is show-stoppingly hilarious in this hit comedy musical April 21, 2016 If there were any lingering concerns about Sheridan Smith’s ability to fill the Streisand-sized boots of Fanny Brice in Funny Girl, they’re almost immediately dashed the moment she takes to the stage. They’re dashed and then dashed again, and then any remaining shreds of undashed concern are swept up in a little basket and hurled [...]
The Flick play comes to London’s Dorfman Theatre and it’s brilliant April 21, 2016 A man stands under harsh fluorescent strip-lights, slowly – painfully slowly – mopping the floor. We watch for what seems like hours as he squeezes out his mop, slides it dully across the ground and repeats, interminably. There's no wink towards the audience, no suggestion that some comic reward is about to follow. It never does. The Flick, [...]