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By: Steve Dinneen

Life&Style Editor I'm the editor of City A.M. The Magazine, and editor of the daily newspaper's Life&Style section. We cover food, wine, going out, culture, technology and travel. I'm also the head judge of our Toast the City awards that celebrates hospitality in the Square Mile. Find me on X @steve_dinneen

All 1119 Articles
  • The Fancy Fork executive chef Shuli Wimer on her new menu and some unexpected Christmas trees

    September 25, 2019

    Who are you and what do you do? My name is Shuli Wimer and I’ve just joined Farmer J as executive chef of The Fancy Fork on King William St. Tell us about The Fancy ForkIt’s Farmer J’s new evening offering. I’ve created a menu championing the best of the season’s produce, inspired by Middle [...]

  • Antony Gormley at the Royal Academy: An existential crisis has never felt so invigorating

    September 23, 2019

    This giant Antony Gormley retrospective feels like the artist’s unified theory of everything. The works are drawn from four decades of output, but feel so indelibly fused with the famous halls of the Royal Academy you can barely imagine them elsewhere. Gormley bends and shapes the gallery to his will like a potter at a [...]

  • A Very Expensive Poison at the Old Vic review: A rare breed of play from the creator of Enron

    September 13, 2019

    Part love story, part police procedural, part political satire, A Very Expensive Poison gleefully defies categorisation.  Recounting the final days of Russian dissident Alexander Litvenenko, it takes a dark and complex subject and turns it into an utterly engrossing, formally experimental romp that wears its close to three hour run-time with surprising alacrity. Loosely based [...]

  • William Blake at Tate Britain review: A trip into the mind of a true revolutionary artist

    September 13, 2019

    William Blake isn’t just an artist, he’s a figure almost as mythical as those he committed to paper, a part of the pop culture lexicon whose influence extends far beyond the works he left behind. He was famously plagued by phantasms: strange, demonic creatures that inspired his most iconic works. They appeared to him throughout [...]

  • Blair Witch game review: Bloober Team over-stretches with this ambitious but flawed tale

    September 11, 2019

    There are moments in Blair Witch that live up to the promise of the source material, recreating the sense of suffocating panic that comes from being lost and alone. It’s an area in which Polish games developer Bloober Team has form: in psychological horror Layers of Fear, doors would flicker out of existence when you [...]

  • It Chapter 2 film review: Stephen King adaptation limps over the line

    September 6, 2019

    Pennywise the dreadful clown is brilliant as a twisted metaphor for our childhood fears. He is less brilliant as a literal space alien who can only be defeated through some arcane Native American ritual. Alas, that’s where Stephen King’s bulging 1,200-page novel ends up.  It proved to be the undoing of the 1990 TV mini-series, [...]

  • Hansard at the National Theatre play review: Political drama is a blistering debut

    September 6, 2019

    George Osborne was in the audience for this blistering political drama by debut playwright Simon Woods, no doubt taking some credit for lines such as: “It’s so easy to mistake an expensive education for a genuine understanding of the world”. Hansard – the title taken from the verbatim record of everything said in Parliament – [...]

  • Control game review: Alan Wake developer perfects its formula with this sci-fi blockbuster

    September 5, 2019

    When David Lynch and Mark Frost came up with the pitch for Twin Peaks, they ignored the prevailing wisdom for creating a TV show. First they mapped out the town itself – the sheriff’s station, the high school, the woods – then they imagined the kind of people who might live there. The murder mystery [...]

  • Wolfenstein: Youngblood review – a bonkers but thrilling co-op experiment

    August 28, 2019

    Platform: PS4 (tested), XBO, PC Five years ago, Wolfenstein: The New Order took a gloriously silly, decades old game about shooting Nazis and turned it into a gloriously silly, throughly modern game about shooting Nazis. It married lightning-quick gunplay with a pulpy, sci-fi yarn about monstrous mechanical Panzerhunds and fascist moon bases, while somehow making [...]

  • The Doctor at the Almeida review: Robert Icke signs off with a masterful medical ethics drama

    August 22, 2019

    Robert Icke approaches a classic play the way a mechanic might approach a motor, breaking it down to its constituent pieces, working out what makes it tick, and then replacing half of it with gleaming new parts. This approach paid dubious dividends in his largely hellish revision of Ibsen’s The Wild Duck last year, but [...]

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