The Duchess of Malfi at the Almeida review: A shocking, brilliant drama December 13, 2019 Since the explosion of the #MeToo movement, theatre directors have been bringing to the fore the themes of patriarchal violence in everything from Shakespeare to Ibsen. Director Rebecca Frecknall’s production of The Duchess of Malfi takes this close to its logical conclusion with this unflinching, often outright horrific portrait of the terrible consequences of men [...]
Fairview at the Young Vic review: A strange and thrilling masterpiece December 13, 2019 When talking about her Pulitzer Prize-winning play, Fairview, writer Jackie Sibblies Drury explains that she cannot reveal what it is about without spoiling it. And she has a point – this really is a see-it-to-believe-it surprise of a show, and is thoroughly deserving of such anticipation. In simple terms, the story concerns a black middle-class [...]
Charlie’s Angels review: A fun reboot, despite the ham-fisted subversion of gender roles November 29, 2019 Wasn’t there a remake of Charlie’s Angels a few years back, I hear you ask? Well, I regret to inform you that version – featuring Cameron Diaz, Lucy Liu and Drew Barrymore – was in fact made two whole decades ago. So here we are again, with another reboot of the hair-flicking, gun toting 1970s [...]
The Immersive Wolf Of Wall Street review: A trading tragedy November 29, 2019 The Immersive Wolf Of Wall Street, a theatrical event that promises to transport you into the hedonistic world of crooked stocks trader Jordan Belfort, has had a traumatic birth. The official opening was delayed owing to a “script in flux” and three separate flooding incidents at its venue near Liverpool Street. And boy does it [...]
My Brilliant Friend at the National Theatre review November 29, 2019 Taking place over two sittings, each more than two and a half hours long, My Brilliant Friend promises to be an epic production. And it is. Sort of. This adaptation of Elena Ferrante’s Neapolitan novels (now a hit HBO series) runs the full gamut of human emotion, spanning decades and shifting violently in both tone [...]
The Lion, the Witch and the Wardrobe at Bridge Theatre review: Perfect family fun November 29, 2019 Christmas is not typically a high-point for theatre, but parents seeking something beyond this season’s repertoire of pantomimes should look to this loveable interpretation of The Lion, the Witch and the Wardrobe. CS Lewis’ 1950 novel is sometimes viewed a little suspiciously, given it’s a fairly transparent allegory for the Christian origin story. But it’s [...]
Dora Maar at the Tate Modern review: Forget what you think you know November 29, 2019 Like so many women throughout history, Dora Maar is best known for her connection to a more famous man. For many art historians, she’s a footnote in the biography of Pablo Picasso, one of many young women the creepy cubist collected throughout his life. But this is 2019: if Picasso were around today he’d be [...]
Measure for Measure review: A play given impetus by #metoo November 29, 2019 Measure for Measure has great contemporary resonance, with the tale of a man abusing a position of authority for his own sexual gratification echoing the complaints of the #MeToo movement. The Duke of Vienna fears that his lax enforcement of public morals risks becoming a crisis, and so rather than dealing with the matter himself [...]
Knives Out review: A finely choreographed tribute to the murder mystery genre November 28, 2019 A wealthy author of best-selling murder mystery novels is found dead in his study on the morning after his 85th birthday, his throat cut in an apparent suicide. His family, a viper’s nest of self-serving narcissists played by an ensemble cast of Hollywood A-listers, all have their own motives, and so it’s up to the [...]
Harriet film review: Cynthia Erivo gives Tubman the biopic she deserves – no Julia Roberts required November 22, 2019 The story of Harriet Tubman has been waiting to be told for a long time. Shamefully the film has been in the works since the ‘90s, but, as its screenwriter and producer Gregory Allen Howard revealed in interviews this week, it didn’t get off the ground because executives thought the story of the 19th-century American [...]