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By: Steve Dinneen

Life&Style Editor I'm the editor of City A.M. The Magazine, and editor of the daily newspaper's Life&Style section. We cover food, wine, going out, culture, technology and travel. I'm also the head judge of our Toast the City awards that celebrates hospitality in the Square Mile. Find me on X @steve_dinneen

All 1119 Articles
  • Faustus: That Damned Woman at the Lyric review – A flimsy gender-swapped adaptation

    January 31, 2020

    The drive in British theatre to stage more plays by and about women has led to a spate of gender-swapped classics, reexamining and recontextualising their patriarchal power dynamics. Christopher Marlowe’s snappily titled The Tragical History of the Life and Death of Doctor Faustus is the latest, and, on paper, it’s an ideal candidate. As Chris [...]

  • The Man Who Killed Don Quixote review: Terry Gilliam goes balls-to-the-wall in this kaleidoscope of imagination

    January 24, 2020

    Terry Gilliam’s The Man Who Killed Don Quixote begins with a title card: “After 25 years in the making… And unmaking”. He’s not kidding – Gilliam started work on the film in 1989, it entered full production almost a decade later with Johnny Depp starring, only to see illness and floods destroy the work and [...]

  • Picasso and Paper at the Royal Academy review: A daft name adorns a roller-coaster of form and imagination

    January 24, 2020

    With Picasso and Paper, the Royal Academy confirms what we have suspected all along: the diminutive Spaniard did, in fact, make use of the material we know as ‘paper’.  Sometimes he drew on it, other times he cut it into funny shapes. You could never tell what he was going to do next, when it [...]

  • The Personal History of David Copperfield review: A gentle period comedy that lacks Armando Iannucci’s signature bite

    January 24, 2020

    Armando Iannucci’s filmography is a roll-call of some of the best satire of modern times, from his early days on The Day Today and Alan Partridge, right up to 2017’s deliciously dark The Death of Stalin. The common thread binding them together is a gleeful hostility. Iannucci clearly thinks politicians, on the whole, are a [...]

  • The Welkin at the National Theatre review: Hilarious, tragic and utterly harrowing

    January 24, 2020

    Lucy Kirkwood’s new play at the National Theatre is a revelation: hilarious, tragic, harrowing and utterly compelling. Set in the mid-18th century, it confronts contemporary issues with a ballerina’s lightness of touch, without compromising its place as a period drama. It follows the case of a young woman who’s been found guilty of a terrible, [...]

  • Survive a Tier 4 January with these 34 amazing lockdown delivery kits

    January 1, 2020

    With more lockdowns annoucned up and down the country, January is set to be a rather miserable time, especially for those of us who are gastronomically-inclined. Thankfully, you can kill two birds with one stone – supporting your favourite chefs and getting your fix of restaurant-quality food – by ordering some of these amazing home [...]

  • The Ocean at the End of the Lane at the National Theatre review

    December 13, 2019

    Neil Gaiman’s The Ocean at the End of the Lane is one of those novels that seems impossible to stage. It’s a tangled tale that takes place across dimensions, flitting between the real and the imagined, the domestic and the cosmic. It features civilised family diners and epic battles with giant, many-legged monstrosities. And you’d [...]

  • A Taste of Honey at Trafalgar Studios review: A kitchen sink drama with real heart

    December 13, 2019

    I first heard about A Taste of Honey through Morrissey, who had a penchant for nicking its best lines. I’m clearly not the only one: the delivery of “I dreamt about you last night. Fell out of bed twice” and “The dream has gone but the baby is real” were met with a ripple of [...]

  • The Duchess of Malfi at the Almeida review: A shocking, brilliant drama

    December 13, 2019

    Since the explosion of the #MeToo movement, theatre directors have been bringing to the fore the themes of patriarchal violence in everything from Shakespeare to Ibsen. Director Rebecca Frecknall’s production of The Duchess of Malfi takes this close to its logical conclusion with this unflinching, often outright horrific portrait of the terrible consequences of men [...]

  • The Immersive Wolf Of Wall Street review: A trading tragedy

    November 29, 2019

    The Immersive Wolf Of Wall Street, a theatrical event that promises to transport you into the hedonistic world of crooked stocks trader Jordan Belfort, has had a traumatic birth. The official opening was delayed owing to a “script in flux” and three separate flooding incidents at its venue near Liverpool Street. And boy does it [...]

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