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Culture

  • The Dead Don’t Hurt review: Viggo Mortensen on fine form

    June 7, 2024

    The Dead Don’t Hurt might have been something exceptional had Viggo Mortensen – who is magnificent – opted for a more conventional path

  • Yamato The Drummers of Japan at Peacock Theatre is sensational

    June 7, 2024

    Yamato The Drummers of Japan at The Peacock Theatre is a wonderful, high-energy night out unlike anything you have seen before

  • Viola’s Room co-director tells us the story of the new Punchdrunkshow

    June 7, 2024

    Hector Harkness, co-director of world-leading immersive theatre troupe Punchdrunk, tells us about his new show Viola's Room

  • Viola’s Room: Punchdrunk return with this intimate immersive gem

    June 7, 2024

    Viola's Room is probably the most unusual and single-minded piece of theatre on the London ‘stage’ today. A real gem from Punchdrunk Theatre.

  • Pride returns to the big screen for a 10th anniversary celebration

    June 7, 2024

    Even after all these years, Pride remains a touching and clever reminder of the fighters that slowly change the world. 

  • Bad boys: Ride or Die review – a dreadful drive-by disaster

    June 7, 2024

    Bad Boys: Ride or Die never rises above ridiculous plot twists and over-the-top antics. A nostalgia hit at best, this is one to miss

  • It’s an exciting time for clubs in London – just not in Soho

    June 6, 2024

    Clubs in London are as good as ever - they just aren't in the city centre

  • Adelayo Adedayo on what she would eat for her last supper

    June 4, 2024

    Star of upcoming Netflix drama Supacell Adelayo Adedayo tells us what she would eat for her last meal on earth

  • ‘I told Henry Cavill’s PR to f**k off’: When interviews go wrong

    June 4, 2024

    My celebrity interview with Henry Cavill, for instance, ended with me telling the event organiser to “f**k off” as I stormed out

  • The Tailor of Inverness at Finborough Theatre: War, peace and new identities

    June 3, 2024

    The Tailor of Inverness by Matthew Zajac at Finborough Theatre becomes part of the oral and social history of wartime survivors in Europe.

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