Peter Gynt at the Olivier is a toe-curling, overlong adaptation of Ibsen’s mad epic July 11, 2019 Before the curtain rose for this reimagining of Ibsen’s allegorical play Peer Gynt, audience members were surreptitiously snapping pictures of the set, presumably to impress their Instagram followers. “I’m at the theatre! #culture”. How appropriate for a play (originally a poem but adapted soon after) that asks if a life can be fulfilled simply by winning the [...]
A Midsummer Night’s Dream at Regent’s Park Open Air Theatre is an unbridled summer joy July 11, 2019 Regent’s Park Open Air Theatre is one of three London companies presenting the Bard’s most mischievous and magical comedy this summer. How, then, does director Dominic Hill make his Dream stand out? From the outset, it’s a fresh, fun interpretation. It opens to a Riot Club-esque dinner party, with flashing lights and blaring music. The [...]
Noises Off at the Lyric Hammersmith is a farce in all the wrong ways July 5, 2019 Noises Off is either the worst professional production I’ve seen in some years, or something so groundbreakingly metatextual that I am simply unable to comprehend its brilliance. Noises Off is clearly a huge success; at least historically. The farce debuted at the Lyric in 1982, before going on to multiple runs in the West End [...]
Midsommar review: follow up to Hereditary is an unqualified triumph July 5, 2019 The instant Midsommar finished, I knew I would need to see it again. It has that rare, painterly quality of great horror, the sense that the images you’re seeing will never leave you. Director Ari Aster’s debut Hereditary had it too, though Midsommar is probably the superior film. It has a richer, more constituted vision, [...]
Arctic film review: A grim but powerful slog through the frozen wilds June 28, 2019 A minimalist tale of man-versus-nature, Joe Penna’s debut feature immerses us in the daily routine of Overgard (Mads Mikkelsen), the survivor of a cargo-plane crash in the Arctic (actually, Iceland). How long he has been stranded in the frozen wastes is uncertain, as we join his story in media res, but his missing toes suggest [...]
The Damned at Barbican review: More of the same good stuff from Ivo Van Hove June 28, 2019 The Damned continues Dutch theatre director Ivo van Hove’s obsession with adaptations, with his oeuvre now including four Bergman screenplays, versions of Oscar-winning films Network and All About Eve, and now four works from Italian filmmaker Luchino Visconti. And while this French-language play occasionally veers close to a van Hove ‘greatest hits’ compilation, it’s excellently performed by [...]
Yesterday review: A chilling account of the harrowing symptoms of one man’s brain injury June 28, 2019 The phrase “feel-good comedy of the summer” should cause no small amount of bile to rise in your throat, but Yesterday is inescapably just that. A movie that seems algorithmically laser-targeted for success, it arrives just as ravenous audiences are lifting their faces from the dessicated carcass of last summer’s Mamma Mia 2, and are [...]
Toy Story 4 review: A visually stunning nostalgia fest that lives up to the franchise legacy June 28, 2019 The question on my lips when Toy Story 4 was announced was: why? Toy Story 3 seemed like the perfect finish to a trilogy that never made a misstep. As the film ended, the sight of Woody, Buzz Lightyear et al with their new owner, Bonnie, as their original one, Andy, drove off to college, [...]
The Hunt at the Almeida review: A powerful but uncomfortable film adaptation June 28, 2019 The Hunt, a tale of a man’s world crumbling around him in the wake of false accusations of paedophilia, is so utterly harrowing it barely qualifies as entertainment. It’s two hours of nauseating tension, each escalation arriving like a physical blow. It’s a nightmare given solid form, and its transition from screen to stage only amplifies the [...]
Never Look Away review: New film from The Lives of Others director is a bloated, pretentious mishmash June 28, 2019 Fifteen years after his masterful The Lives of Others, director Florian Henckel von Donnersmarck has returned to his native Germany with a bungled, overwrought epic set across the three defining political epochs of the 20th century. Over 188 minutes, we follow Kurt Barnert (Tom Schilling), who experiences the Third Reich as a child, communist East [...]