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Culture

  • Halloween Kills, review: More silly than scary

    October 18, 2021

    Michael Myers is the perfect frontman for the Halloween franchise: an ageing but unstoppable juggernaut, pulling the same old tricks from all the way back in 1978 to an increasingly bemused audience. It’s no wonder director David Gordon Green wanted to try something new when he took over with 2018’s franchise reboot. Alas the curse [...]

  • Ron’s Gone Wrong, review: A family film with a tech twist

    October 18, 2021

    It’s a sign of the times that an increasing number of family films are focusing on technology. The Jumanji movies moved from a boardgame to a video game console; Space Jam’s villain was a rogue AI; and one of the best family movies of this year, The Mitchells Vs The Machines, had our reliance on [...]

  • Venom: Let There Be Carnage, Review

    October 18, 2021

    Despite being a patchy mess, 2018’s Venom rose to surprise box office success thanks to a charming star in Tom Hardy, and an audience that was growing weary of sombre superheroes (Aquaman succeeded in the same year for similar reasons). A sequel was inevitable, but has it done enough to flesh out the cult anti-hero? [...]

  • The Velvet Underground: An enjoyable rockumentary

    October 18, 2021

    It’s becoming something of a rite of passage for successful directors to make documentaries about their favourite bands. Ron Howard covered The Beatles (with Peter Jackson’s Get Back series on the way), Shane Meadows explored The Stone Roses, and this year Edgar Wright shared his love for Sparks. This week director Todd Haynes (Carol, Dark [...]

  • White Noise, Bridge Theatre review: A provocative take on racism in America

    October 15, 2021

    White Noise, Suzan-Lori Parks’ explosive play on race in twenty-first century America, is as much about the problem of  silence in the face of injustice as it is about performative solidarity. The play centres on four thirty-somethings: Leo (Ken Nwosu), a black artist, his white lawyer girlfriend Dawn (Helena Wilson), and their old college friends, [...]

  • Shatner hits back at Prince William’s space travel criticism

    October 15, 2021

    William Shatner has shot down Prince William’s criticism of space travel. He believes the royal is missing the point”. The former Star Trek actor told Entertainment Tonight that Prince William was a “lovely, gentle, educated man” but that he has the “wrong idea” about going to space. Shatner argues that space travel is the first [...]

  • Theaster Gates at Whitechapel Gallery review

    October 14, 2021

    Fenchurch Street is currently a mess of diggers and drills, creating the perfect backdrop for a sculpture exhibition that begins with bricks. Chicago-based artist Theaster Gates explores the historical significance of clay and clay artefacts, using them as a way of understanding racial identity in an urban setting.  Sculpture, installation and film all feature in [...]

  • Dexter, Directors, and Dirt – an interview with Michael C Hall

    October 13, 2021

    Michael C Hall is a busy man. Next month, he returns to his most famous role, serial killer Dexter, in a reboot of the award-winning drama. Before that he stars in John and The Hole, an indie thriller about a family held captive in a bunker by their teenage son. Hall talks getting his hands [...]

  • The Normal Heart at the National Theatre is a desperate howl

    October 8, 2021

    In the same week Matthew López took home the Best Play gong at the Tony Awards for The Inheritance, a work that has drawn strong comparisons to fellow Tony-winner Angels in America, the National Theatre began its revival of the original play chronicling the AIDS crisis: The Normal Heart. Larry Kramer’s semi-autobiographical 1985 play follows [...]

  • John and the Hole: A surreal family drama designed to confuse

    October 8, 2021

    Some films signal their intentions from the beginning: good vs evil, a love story, or a hero out to save the world. Then there are films like indie thriller John and The Hole, which leave almost every frame open to interpretation. Having just starred in Sean Durkin’s drama The Nest, Charlie Shotwell once again explores [...]

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