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Culture

  • Scandaltown review: Satire on cancel culture falls flat

    April 25, 2022

    Imagine having three plays opening in London at once. Mike Bartlett, writer of the huge TV hit Doctor Foster, is that guy right now. Cock, starring Bridgerton’s Jonathan Bailey, is on in the West End, and he’s also commanding two of the biggest off-West End theatres with The 47th at the Old Vic and Scandaltown [...]

  • The Corn is Green review: A twee revival at the National Theatre

    April 25, 2022

    The National Theatre’s revival of Welsh actor and playwright Emlyn Williams’ The Corn is Green – the first major production in London since the mid-80s – is a comforting, middle-brow ITV period drama plopped onto the stage. The beats of this semi-autobiographical tale of an impoverished boy propelled from the pits to the cultural elite [...]

  • The Unbearable Weight of Talent: Nicolas Cage shines as Nicolas Cage

    April 25, 2022

    In recent years, Nicolas Cage has joined that exclusive club of beloved cult stars. Like William Shatner, Christopher Walken, and Jeff Goldblum before him, the actor has a balance of craft and eccentricity that makes him a fascinating pop culture figure. Also like those stars, Cage is embracing his oddball reputation. He turned heads with [...]

  • Marys Seacole at the Donmar Warehouse review: Dazed and confused

    April 25, 2022

    Mary Seacole, a British-Jamaican nurse who, among other endeavours, cared for wounded British soldiers during the Crimean War, has only recently been given the recognition she deserves.  With her new play, Sibblies Drury transcends the single history of Mary Seacole, and presents us with a number of Marys, across various time periods and settings. Mary [...]

  • The Burnt City review: Punchdrunk return in spectacular fashion

    April 22, 2022

    Punchdrunk is the company that put immersive theatre on the map. Its productions of The Drowned Man (2013) and Sleep No More (2003, although best known for its 2011 revival in New York) created the modern blueprint for the medium, spawning a thousand imitators, most of whom only served to highlight how difficult immersive theatre [...]

  • Cabaret review: A riot, old chum – with or without Eddie Redmayne

    April 21, 2022

    Fresh from breaking the record for the most amount of Olivier Awards ever won by a revival, Cabaret strides confidently forwards with an excellent new cast This new revival of Cabaret had West End critics fighting to publish their five star reviews first when it first opened in November 2021. Seeing homegrown A-List talent Eddie [...]

  • Foals: We’re changing the macho image of hot sauce

    April 21, 2022

    There’s a video on YouTube entitled “Colin Farrell searches for meaning in the pain of spicy wings.” In it, the ageing hunk dollops hot sauce on chicken, eats it, then squirms in pain. The 28-minute video has racked up over 3m views in a little over a month. Halfway through, host Sean Evans boasts that [...]

  • Elon Musk blames ‘woke mind virus’ for making Netflix ‘unwatchable’

    April 20, 2022

    Elon Musk has slammed Netflix as "unwatchable" after shares tumbled by more than a third on news subscribers are jumping ship.

  • Fashioning Masculinities: The Art of Menswear at the V&A review

    April 20, 2022

    “A well-tied tie is the first serious step in life,” wrote Oscar Wilde, and the V&A’s latest exhibition Fashioning Masculinities: The Art of Menswear gives us some cause to believe that’s true.   The showcase marks the V&A’s first major exhibition focusing on menswear, setting itself a rather daunting task. The result is an expansive [...]

  • Crypto platform Luno ties up multi-million pound deal with Camden’s KOKO

    April 14, 2022

    Cryptocurrency platform Luno has partnered with London’s KOKO as the crypto marketplace steps into the music and entertainment space.

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