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Culture

  • Us review: Jordan Peele’s ambitious new film is a brilliant and unsettling commentary on social inequality

    March 21, 2019

    Jordan Peele’s 2017 debut Get Out redefined what a modern horror movie could be. It was slick and smart and terrifying, its body-horror a twisted allegory for the racism – casual and otherwise – suffered by black people. And for a long time, I was pretty sure this follow-up was addressing the same issue, albeit [...]

  • Downstate at the National Theatre is a difficult drama that questions how society should treat its worst criminals

    March 21, 2019

    A new play about a group of four convicted child sex offenders on supervised release in a social home in Illinois, Downstate is at times a difficult act to stomach. It’s an exercise in humanising a quartet of sex criminals, an exploration of the complex relationship between an abuser and their victim, and of the [...]

  • What Men Want review: A badly made reboot of badly aged Mel Gibson comedy

    March 15, 2019

    Back in the year 2000, before anyone knew any better, Mel Gibson was still a beloved star of the big screen. His Freaky Friday-esque comedy escapade What Women Want was smashing it at the box office, a bigger hit than anything he’d done previously and grossing three times what Mad Max had taken in. Alongside [...]

  • Under the Silver Lake film review: It Follows director David Robert Mitchell’s follow-up is bonkers but brilliant

    March 14, 2019

    David Robert Mitchell’s 2014 teen horror It Follows is up there with Jordan Peele’s Get Out as one of the best scary movies of the last decade. It was a lean, stripped back study of teenage anxiety and the perils of sexual awakening. For his new movie he takes a different tack, turning out a [...]

  • Betrayal at the Harold Pinter Theatre review: Tom Hiddleston is brilliant in this gut-wrenching play about infidelity

    March 14, 2019

    It’s been a hell of a year for Harold Pinter fans. Over seven productions, director Jamie Lloyd resurrected dozens of the playwright’s one-act works, many of which hadn’t been performed in decades. That series ended last month, but Lloyd, now surely the world’s go-to Pinter guy, has lost none of his enthusiasm, following it up [...]

  • Alys, Always review: Bridge Theatre presents a crowd-pleasing, pulpy thriller

    March 14, 2019

    Alys, Always is an unabashed crowd-pleaser, a gripping, pulpy thriller in the mould of Gone Girl or The Girl on the Train. I imagine the novel, written by Harriet Lane, was advertised on the Underground. It follows Frances, a sub-editor on the arts desk of a magazine called The Questioner. Her job is fixing the [...]

  • Captain Marvel review: Brie Larson is a revelation in this middling Marvel romp

    March 7, 2019

    It seems almost unbelievable that it’s taken Marvel 20 movies to feature a female lead, especially when Brie Larson makes it all look so effortless. Alongside a digitally de-aged Samuel L Jackson, she brings verve and charisma to what could easily have been a forgettable entry into the Marvel canon. It’s a strange film, showing [...]

  • Metro Exodus review: Back in the USSR, this long-running series hits an incredible high

    March 6, 2019

    Nobody glorifies misery quite like the Russians. Across centuries of literature, poetry and music, some of humanity’s most brilliant minds have elevated the struggles of ordinary Russian men and women to incredible symphonies of suffering. Times of unparalleled political and social upheaval – the Bolshevik revolution, the rise of Leninism, the Stalinist purges, the threat [...]

  • Far Cry New Dawn review: An eye-searingly colourful expansion that isn’t afraid to have some fun

    March 6, 2019

    The statute of limitations is probably up on Far Cry 5 spoilers, especially given that this stand-alone sequel, which takes place in the primary-coloured and strangely bucolic wasteland of irradiated post-apocalypse Montana, is set 17 years after the previous game’s finale. The last game ended when deranged evangelist Joseph Seed unexpectedly dropped a nuke on [...]

  • The Hole in the Ground film review: An intense psychological horror that plays on our fears of motherhood

    March 6, 2019

    This suffocating psychological horror sits alongside the likes of The Babadook and Hereditary in a wave of movies that take our fears of rearing offspring and makes them terrifyingly solid, Rosemary’s Baby or The Exorcist for the 21st century. Seána Kerslake plays Sarah, a single mother who moves to a small Irish village with her young [...]

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