Channel your inner Attenborough with a trip Australia’s Great Barrier Reef February 22, 2016 “Look, over there – a bull shark.” My guide, Mark, points out the sleek, contoured shape with its distinctive dorsal fin and bluntly-shaped head – one of the most dangerous of its kind in the world – lazing idly in a sun-dappled patch of translucent, turquoise water. My heartbeat accelerates slightly, but thankfully there’s no [...]
Delacroix at the National Gallery does this magnificent painter a disservice February 19, 2016 The National Gallery | ★★☆☆☆ Measuring the influence of one artist on another is no easy task, and the National Gallery fails to pull it off convincingly in this muddled and problematic exhibition. Curators attempt to trace the influence of Delacroix – best known as the romantic painter of the iconic Liberty Leading the People – [...]
Uncle Vanya at the Almeida is brilliantly acted, cleverly staged and gratifyingly reinterpreted February 19, 2016 Almeida | ★★★★★ Anton Chekhov is a cornerstone of modern theatre, one of the fathers of realism; he eschews action in favour of mood and character, and while his Uncle Vanya is an undoubted masterpiece, the prospect of three and a half hours of Russian misery isn’t necessarily the most enticing prospect. Rejoice then that [...]
Performing for the Camera at Tate Modern works as a history lesson but says little about the here and now February 19, 2016 Tate Modern | ★★★☆☆ Performing for the Camera asks – and generally answers – a series of questions about the role of photography in the artistic process. Does it capture or create? (The latter). Is the result different from the performance? (Yes). Does being observed, as in particle physics, somehow alter the performance itself? (Yes). These [...]
How To Be Single review – plus the rest of this week’s biggest new film releases February 18, 2016 Bone Tomahawk (18) | ★★★★☆ Dir: S. Craig Zahler The western has been given more than a few new coats of paint lately, but none will be as surprising as Bone Tomahawk, which mixes traditional Old West with horror. Kurt Russell keeps his Hateful Eight beard as a sheriff who rides out to confront a [...]
Frenchie in Covent Garden and Native on Neal’s Yard are both fantastic February 16, 2016 NATIVE Neal's Yard, Covent Garden Tel: 0203 638 8214 FOOD ★★★★☆ | VALUE ★★★★★ | ATMOSPHERE ★★★☆☆ Cost for two with two rounds of beer: £50 – – – – – – – – – – – FRENCHIE 16 Henrietta St, Covent Garden Tel: 0207 836 4422 FOOD ★★★★★ | VALUE ★★★☆☆ | ATMOSPHERE ★★★☆☆ Cost [...]
Cocktail bar Gong is unashamedly luxurious, and the best place in London to get hitched February 16, 2016 At the end of last year I was faced with the terrifying prospect of having to decide where to propose to my then girlfriend (now, thankfully, fiancée). I was at a loss. I’ve got a bias for hotel bars, but most don’t afford you the privacy to bend down on one knee and ask another [...]
Galvin Hop review: The Galvin brothers open their first gastropub in the City February 16, 2016 Galvin HOP, Spital Square, E1 What? A new gastropub – or “pub de luxe”, as the eponymous Galvin brothers prefer to call it – serving gourmet pub grub, snacks and pints. There’s also a takeaway bar so you can grab breakfast rolls, toasted muffins, Eccles cakes and “luxe dogs” to eat (ahem) on the hop. [...]
Bentley Bentayga review: behind the wheel of the the world’s fastest luxury SUV February 15, 2016 As the second hour standing in LAX’s dreadful arrivals queue passed, I realised my schedule was going hopelessly awry. I still had a 130-mile drive to Palm Springs: in LA traffic, four hours or more. Factor in no food and nearly 24 hours without sleep, and Bentley’s Bentayga luxury SUV launch seemed to be in [...]
The End of Longing review: Could Matthew Perry’s new West End play BE any more like Friends? February 12, 2016 The Playhouse Theatre | ★★★★☆ It’s unfair to judge someone’s work based on a project they were involved in many, many years ago. But Matthew Perry, writer and star of new West End play The End of Longing, mentions Friends in the very first sentence of his programme notes, so he’s kind of asking for it. [...]