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Culture

  • I Want My Hat Back review: National Theatre’s production of beloved children’s book sends kids wild

    November 20, 2015

    National Theatre | ★★★★★ So there’s this bear, right, and he’s got an amazing hat. All red and pointy and with an elastic strap to keep it nice and secure on his big bear head. Where did the hat come from? It doesn’t matter. What matters is where it goes. Because shortly after the bear falls [...]

  • The fine art of Nordic cooking

    November 13, 2015

    Chef Magnus Nilsson has compiled the definitive guide to the subtle art of Nordic cooking. The Nordic Cook Book combines a series of stunning photographs of his epic culinary journey through Scandinavia – from the grandiosity of the frozen fjords to simple strips of mutton hanging to age in a Faroese warehouse – with recipes [...]

  • Everybody loves Raymond: How Blanc launched a thousand careers

    November 13, 2015

    Raymond Blanc’s Le Manoir aux Quat’Saisons first opened its doors 30 long years ago, to instant acclaim. A year later it won two Michelin stars; it still has them today. Many of its former chefs have gone on to become the biggest names in the culinary world – Sat Bains, John Burton-Race, Heston Blumenthal, Marco [...]

  • Films to see this weekend: Tangerine, The Hallow, Fathers and Daughters, The Lady in the Van

    November 13, 2015

    The Lady in the Van (12A) ★★★★☆ This adaptation of Alan Bennett’s play about his 15 year friendship with an eccentric old lady (Maggie Smith) who lives in his driveway is a cosy film with a van-load (sorry) of charm. After an hour of ‘odd couple’ shenanigans between the two leads, the final act delivers [...]

  • Henry V at Barbican, theatre review: The RSC’s production lacks emotion but it’s riotously funny

    November 13, 2015

    Barbican | ★★★★☆ The RSC’s production of Shakespeare’s Henry V is curiously lacking in drama, but more than compensates with a brilliant injection of humour. Serious passages often lack emotional clout, but traditionally straight characters are successfully played for laughs. The Archbishop of Canterbury, for instance, becomes an ecclesiastical Sir Humphrey and the Dauphin is a [...]

  • Theatre review: Waste at the National Theatre

    November 13, 2015

    Lyttelton Theatre | ★★★☆☆ “The road to hell is paved not with good intentions but with high ideals”; it’s a statement delivered as a sardonic zinger but it turns out to be sadly prescient for the hero of Harley Granville-Barker’s 1906 play. This dense, long-winded story focuses on the political intrigue surrounding a bill to disestablish [...]

  • Steve Jobs review: Fassbender carries a poignant biopic of Apple’s dysfunctional tech messiah

    November 13, 2015

    12A  |  ★★★★☆ You can’t code, you’re not a designer, you’re not a programmer,” says exasperated Apple co-founder Steve Wozniak (Seth Rogan). “But every day I read that Steve Jobs is a genius. What do you actually do?” This is the billion-dollar question asked by Danny Boyle in his follow-up to the London 2012 Opening [...]

  • Alexander Calder: Performing Sculpture at the Tate Modern

    November 13, 2015

    Tate Modern | ★★★★☆ Alexander Calder is said to be the man who introduced mobiles to the art world in the 1920s (the things that hang over babies’ cribs rather then the phones). The first room in the Tate Modern’s retrospective of his work is dedicated to his early, figurative pieces. Deceptively complex wire sculptures dangle [...]

  • Theatre review: As You Like It, National Theatre

    November 6, 2015

    Cert: 15 | ★★★☆☆ With its rambunctious female lead and sketch-show skits, As You Like It must be one of the easiest Shakespeare plays to modernise. Which makes it all the more surprising that this is the first time in 36 years the National Theatre has staged the lovestruck comedy. And what a surprise it [...]

  • Kill Your Friends is a shallow imitation of American Psycho

    November 5, 2015

    “To make money sometimes we have to make art,” muses Nicholas Hoult’s oily A&R man Steven Stelfox. There’s an irony to be found here, given that Kill Your Friends, which rides shamelessly on the coat-tails of The Wolf of Wall Street and American Psycho, appears to have been made by people who share that exact [...]

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