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Culture

  • Bones and All review: Timothée Chalamet smoulders in cannibal movie

    November 29, 2022

    It’s always interesting when an actor and director reunite. Italian filmmaker Luca Guadagnino sent Timothée Chalamet’s star into orbit with the Oscar nominated Call Me By Your Name. And now, five years on, the pair come together again. Bones and All shows that success hasn’t dulled the duo’s creative spark. The plot focuses around Maren, [...]

  • The best alcoholic advent calendars for Christmas

    November 27, 2022

    Christmas is coming! Count down the days with one of these alcoholic advent calendars, putting a grownup spin on a festive childhood tradition. WHISKY EXCHANGE SPIRITS ADVENT CALENDAR The Whisky Exchange has assembled a veritable smorgasbord of spirits for the holiday season. Each day will bring a new surprise, with this diverse collection consisting of [...]

  • The She Said movie lacks the urgency needed from a film about Me Too

    November 27, 2022

    It was inevitable that Hollywood would eventually make a movie chronicling the origins of the MeToo movement. Following in the footsteps of greats like All The Presidents Men and Spotlight, director Maria Schrader (I’m Your Man) tells Hollywood’s recent history through some of its finest practitioners. Carey Mulligan and Zoe Kazan star as Megan Twohey [...]

  • Glass Onion: A Knives Out Mystery gives Daniel Craig another chance to shine

    November 27, 2022

    Although it’s being released in cinemas initially, Glass Onion: A Knives Out Mystery represents a curious twist in the streaming wars. Netflix beat out rivals Apple and Amazon to win the rights to the sequels for Knives Out, the 2019 cinema release that was a surprise hit, in a reported nine figure deal. It’s a [...]

  • A Christmas Carol, the Old Vic review: Bright and joyous, even Scrooges can’t dislike this

    November 25, 2022

    Joy to all – including you Scrooges out there – it’s Christmas! We’ve collectively spent weeks ignoring the Christmas cards and wrapping paper that appears pointlessly early in shops, but now that it’s December it’s actually time to start getting in the mood for the festive season – and the best way to do that, [...]

  • David Harewood: White actors should be able to play Black roles

    November 24, 2022

    For some, being a role model can feel like a weight. Emmy-nominated Black actor Samira Wiley said recently it can be “overwhelming sometimes, representing so much for so many people.” And trans artists Travis Alabanza and Ezra Furman have spoken about how being seen as “inspirational” overlooks their daily struggles. But not for David Harewood. [...]

  • The year the music died? What energy bills and recession will mean for gigs

    November 21, 2022

    Gigs have always been a great way to escape from the toils of everyday life – a few friends, usually a few drinks and great bands. But, what does a live music scene look like once you factor in spiralling inflation and rocketing energy bills for venues and consumers who can no longer afford to [...]

  • Liam Gallagher returns in new documentary Knebworth 22

    November 18, 2022

    This summer, Liam Gallagher returned to the scene of one of his greatest triumphs. The sold out two nights at Knebworth, 26 years after his band Oasis played there, was a marked achievement for the aging rocker who has been performing solo since 2016. This new documentary follows a similar path to last September’s Oasis: [...]

  • Spirited is a flawed but entertaining riff on A Christmas Carol

    November 18, 2022

    Another year, another twist on the Scrooge formula. Apple’s Spirited is one of two films loosely based on A Christmas Carol (Netflix’s musical version arrives in December), but few others could offer a more compelling duo of leads.  The yuletide fable imagines that Dickens’ ghostly visitations are not only real, but a yearly occurrence run [...]

  • The Rape of Lucretia at the ROH is a muddled show that signals opera has a long way to go

    November 18, 2022

    The Rape of Lucretia at the Royal Opera House is almost a great success. Director Oliver Mears’ intense staging possesses moments of pure violence and raw emotion, impressively pulled off by a cast drawn exclusively from operatic young artist programmes.  However, it’s not quite a win for The Linbury Theatre, with the sexual politics of [...]

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