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Life&Style

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  • How much is winning the Champions League worth? Prize money at stake for Liverpool and Celtic announced by Uefa

    August 18, 2017

    Clubs can earn up to €57.2m (£48m) in prize money for winning the Champions League this season, after European governing body Uefa announced they would hand out €1.3bn to clubs in the competition. Uefa has recommitted to putting up the same sums of prize money as it did last season, when the competition’s most successful [...]

  • Atomic Blonde film review: Charlize Theron dazzles in this exercise in style over substance by director of John Wick

    August 11, 2017

    Every few years a movie comes along that rewrites the rule-book for the Hollywood blockbuster, sending out tonal and stylistic ripples for decades to come. There was Die Hard with its dry, flawed protagonist John McClane, the Bourne series’ perpetual-motion shaky-cam, the Matrix’s use of bullet time. And in 2014 there was John Wick. Combining [...]

  • Shin Godzilla film review: A delightfully silly, politically astute return to the schlocky origins of the world’s favourite monster

    August 11, 2017

    He may be approaching retirement age, but 63-year-old Godzilla can still bring home the bacon. A big-budget Warner Bros movie pitting him against fellow monster King Kong is currently in the pipeline, and Bryan Cranston’s 2014 reboot made more than $500m at the box office. Shin Godzilla – or “Godzilla Resurgence” as it’s translated for [...]

  • Project Mayhem theatre review: Dalston immersive event has a violent charm but lacks narrative ambition

    August 9, 2017

    The first rule of this immersive theatre production is: I’m not allowed to reveal the name of the source material. The second rule of this immersive theatre production… You get the picture. Project Mayhem, as it’s not-very-subtly named, is the latest show by Secret Studio Lab, a company that sounds like, but is not, a [...]

  • Allelujah! review: Alan Bennett’s NHS play at the Bridge Theatre is cosy and cautionary all at once

    July 27, 2017

    It’s often said that the NHS and the BBC are the twin religions of Britain. If there’s a triplet, it’s probably Alan Bennett, who’s decided to make the health service the subject of his first new play in five years. Allelujah! isn’t quite as sprightly as it sounds, being set on a geriatric ward, but [...]

  • City of Ghosts film review: An important documentary held back by lumbering, artless direction

    July 21, 2017

    In 2013, after ISIS took control of Raqqa, a group of citizen journalists began secretly recording and publishing their activities. Calling themselves Raqqa Is Being Slaughtered Silently (RBSS), the group formed to counter ISIS’s slick propaganda machine, and deliver the truth about their atrocities to the world. Much of what we know about ISIS’s barbarism [...]

  • Spider-Man: Homecoming review: Not the character-defining movie we’re waiting for

    July 6, 2017

    The latest Marvel blockbuster is strewn with in-jokes, each one a little gift to fans for continuing to buy tickets for a franchise that now spans 16 movies. Take the title: “Homecoming” does refer to an event in the film – which lasts all of five minutes – but every Marvel geek knows it’s really [...]

  • Royal Academy Summer Exhibition 2017: The same old show with the same old problems

    June 8, 2017

    Each year the Royal Academy selects many hundreds of works of art, both amateur and professional, and piles them high and wide for its Summer Exhibition. And each year many thousands of words are written questioning whether this is Any Way to View Art. The correct answer is “No, this is No Way to View [...]

  • Barber Shop Chronicles review: Inua Ellams’ razor sharp play draws profound connections between disparate men

    June 8, 2017

    Set in half a dozen barber shops across two continents, Inua Ellam’s energetic, funny, banter-driven play seeks to join the dots between the experiences and opinions of black men in geographically disparate locations. And there are are plenty of dots to join in a play that ricochets between barber’s chairs as far apart as Johannesburg [...]

  • 887 at the Barbican review: an unmissable evening for fans of Lepage’s brilliant brand of stagecraft

    June 2, 2017

    French-Canadian auteur Robert Lepage returns to the Barbican with a solo show suffused from first second to last with his inimitable brand of heartwarming and absurd stagecraft. It's ostensibly a memoir about Lepage growing up in a working class tenement block in Quebec, with the building brought spectacularly to life by an incredible scale model, [...]

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