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      Why authenticity is key to US sport succeeding in Europe

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Culture

  • Where to Invade Next review: Michael Moore back on form with film that questions US’s place in the world

    June 9, 2016

    WHERE TO INVADE NEXT (15) | Dir. Michael Moore Michael Moore is back behind and in front of the camera for his first film in six years. The baseball capped antagonist visits several countries across Europe to see their approaches to issues including commerce, education, crime and healthcare, hoping to bring home ways to improve the [...]

  • Royal Academy Summer Exhibition 2016: blockbuster works by Marina Abramović, Gilbert and George and Eva & Adele overshadow the brilliant up-and-coming talent

    June 9, 2016

    British sculptor Richard Wilson coordinates the 248th annual Royal Academy Summer Exhibition, the world’s largest open submission art show. It’s naturally a mammoth, exhaustive exhibition, taking up most of the RA’s main galleries, its walls crammed with images competing for attention. With more than a thousand pieces on display, how does one begin to digest [...]

  • The Spoils at Trafalgar Studios review: Jesse Eisenberg’s twitchy performance papers over dramatic cracks

    June 8, 2016

    The Spoils | Trafalgar Studios |  ★★★☆☆ You can see why Jesse Eisenberg attracts comparisons with Woody Allen: both excel in playing (and writing) self-obsessed men whose acerbic wit fails to mask their social ineptitude. Eisenberg’s third play as writer-actor – the first to transfer to London – feels like the apotheosis of this: his [...]

  • Fashion photographer Miles Aldridge took these amazing Polaroids of his raunchy shoots

    June 6, 2016

    British fashion photographer Miles Aldridge is famed for his vivid, highly stylised photographs, saturated in colour but drained of emotion. His models stare blankly at nightmarish explosions of ketchup or broken crockery in recurring pastiches of 1950s domesticity. His photographs are meticulously crafted, his frames arranged and composed with all the precision of a painter [...]

  • Bhupen Khakhar at the Tate Modern review: LS Lowry meets Henri Rousseau in this touching chronicle of life in India

    June 6, 2016

    Bhupen Khakhar | Tate Modern | ★★☆☆☆ This impressive collection of Bhupen Khakhar’s work is a deeply personal journey through the life of India’s most revered pop artist. It flits from his wide-eyed early paintings of life on the subcontinent to his darker, more blurred work that grapples with his homosexuality (much of which was made [...]

  • This boozed-up and Giamatti-less theatre production of Sideways fails to live up to its big screen cousin

    June 3, 2016

    St James Theatre | ★★☆☆☆ If you could forget about Sideways, the Oscar-winning film starring Paul Giamatti, this play (by the author of the original novel but based on the movie) would be a passable if unremarkable comedy. But the film does exist: it’s a brilliant, poignant exploration of obsession. This production is a poor cousin [...]

  • Sunset at the Villa Thalia tackles 1960s Greek politics from a deckchair

    June 3, 2016

    Dorfman Theatre | ★★★★☆ Alexi Kaye Campbell’s new play is a deeply personal effort. Born and raised in Greece, he was a baby at the time of the 1967 military coup, which is his play’s organising event; the two acts are set during its occurrence and aftermath, formulated around two holidays at the eponymous villa. Theo [...]

  • Race review: A moving and uplifting biopic that sadly fails to fully address America’s own historic hurdles

    June 2, 2016

    Dir. Stephen Hopkins | ★★★☆☆ It’s disappointing but not surprising, given Hollywood's unfortunate record with diversity, that it's taken 80 years for the fascinating story of Jesse Owens to get a biopic. After all, it's only a couple of years since both Martin Luther King (Selma) and Jackie Robinson (42) were given the big screen treatment. [...]

  • Threepenny Opera at the National Theatre review: An explosively raucous show

    June 2, 2016

    Olivier Theatre | ★★★★★ The National Theatre’s production of The Threepenny Opera is stagy, artificial, vulgar, nihilistic, hilarious, and brilliant. This is opera for people who don’t like opera. Bertolt Brecht, Elisabeth Hauptmann and Kurt Weill’s Weimar Republic-era adaptation of John Gay’s 18th century ballad opera The Beggar’s Opera, is returned to its London roots in [...]

  • Obsidian Tear/An Invitation/Within the Golden Hour at the Royal Ballet review: A joyous, moving and brilliantly danced production

    June 2, 2016

    Royal Opera House | ★★★★☆ It’s a brave man who opens an eagerly anticipated night at the Royal Ballet in silence, and an even braver one who picks a fight with a ballet dancer. In Wayne McGregor’s latest contemporary piece, Obsidian Tear, the stage is practically bare save for two men, eyeing each other up menacingly, [...]

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