‘The world of Cat TV is more cut throat than you would ever imagine’ – inside the strange business of TV… for cats
Editor’s Notes: A subversive Brexit comedy? It’s about bloody time; art’s in the right place and Conservative party conference diary October 5, 2018 Whenever Brexit is introduced as a subject for comedy, it is invariably the Remainers laughing at the Leavers. I don't say this to make a populist point, it is simply an observation. Think of Radio 4 comedy, BBC panel shows and the stand-up circuit. It’s risk-free to be a Remainer – and laughing at the Leavers, [...]
Johnny English Strikes Again review: More than ever this half-arsed spy spoof feels lazily out of touch October 4, 2018 Here’s why Mr Bean is funny and Johnny English is not. The former character is comically inept, but morally pure. In the opening sequence, Mr. Bean literally descends to Earth in a beam of light, as though ejected from the Pantheon, or deposited by an intergalactic spaceship. A choir sings “ecce homo qui est faba”, [...]
The Green Room review: Find out what corporate hospitality means at the Kia Oval before you fork out to impress clients October 3, 2018 The last time I sat in a corporate box, it was miserable. A relative who worked for a bank had been offered tickets to a Muse gig at Wembley Stadium and invited me along as box meat to fill the space. At the time, I was a fan of the Devonshire space rockers, but I [...]
Eyam at Shakespeare’s Globe is an impressive, emotionally draining play about accepting death September 28, 2018 Shakespeare's Globe, until 13 Oct RECOMMENDED It’s the 17th century, and the people of the plague-struck Derbyshire village of Eyam have made a noble decision to quarantine themselves, rather than risk the illness spreading to neighbouring settlements. By the time the pestilence has ended, three-quarters of the villagers will be dead. Directed by Adele Thomas [...]
Poet in Da Corner at the Royal Court is the world’s first grime musical and it’s brilliant September 28, 2018 Royal Court, until 6 Oct UNMISSABLE Grime has come a long way in the past few years. Formed from a crucible of garage, jungle and dancehall music, it was until recently an entirely underground genre, mentioned by the press only in the context of rising knife crime. But at some point a broader audience started [...]
Antony and Cleopatra at the Olivier is a wonderfully acted epic that outstays its welcome September 28, 2018 National Theatre's Olivier, until 19 Jan RECOMMENDED Shakespeare’s plays tend to be reviewed on the strength of the production rather than the quality of the text, which is taken as a given. But the problems with this otherwise brilliant National Theatre show are all of the bard’s making. There’s a reason, after all, why Antony [...]
Francis Upritchard: Wetwang Slack at the Barbican is a a wry commentary on our fetishisation of historical objects September 28, 2018 Barbican Curve Gallery, until 6 Jan RECOMMENDED Bringing together dozens of multi-disciplinary works by New Zealander Francis Upritchard, Wetwang Slack is a wry commentary on our curation – and fetishisation – of historical objects. His delicate, slightly grotesque sculptures are presented as if they were museum pieces, perched upon plinths or lining glass cabinets. There’s a [...]
Space Shifters at the Hayward Gallery is an unmissable exhibition that will make you question your senses September 28, 2018 Hayward Gallery, until 6 Jan UNMISSABLE Art isn’t generally the kind of thing you can ‘spoil’. Someone telling you about the Guernica before you see it doesn’t detract from your appreciation of it – quite the contrary: the more you know, the more powerful it becomes. But I feel I should include a spoiler warning [...]
Shadow of the Colossus review: An expert restoration of a breathtaking classic September 28, 2018 Shadow of the Colossus was a quiet epic, launched at a time when games were predominantly about things exploding loudly in your face. In this minimalist and melancholic saga, you ride your faithful horse across a vast wilderness to track down and slay 16 enormous stone giants. The world, desolate and littered with the [...]
Isle of Dogs review: More bark than bite, but Wes Anderson’s stop-motion adventure is adorable fun September 28, 2018 Wes Anderson’s latest film takes place in a hyper-stereotyped, near-future Japan, in which dogs have been cruelly banished to a trash island under the invented pretence that they’ve succumbed to a mix of highly infectious dog flu and “snout rot”. The director’s second stop-motion project (the Roald Dahl adaptation Fantastic Mr. Fox being the [...]