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Culture

  • Homes Future at the Design Museum is a mad, retrofuturist vision of how designers of the past thought the future might look

    November 14, 2018

    That the British are obsessed with our homes is a truism. Few other nations obsess quite so much about daily fluctuations in house prices, or attach quite so much cultural and social cachet to the idea of home ownership. The tale of modern British history is in large part the tale of our relationship with [...]

  • Juliet, Naked is far too preoccupied with its flat jokes to actually get to the heart of its abandonment issues

    November 2, 2018

    Nick Hornby is the master of the manchild and Duncan, the one from the 2009 novel this film is based on, is one of his. He’s in thrall to a similarly adolescent idol, a mopey indie star called Tucker Crowe, who became a recluse following the release of his only album ‘Juliet’. Stuck in the [...]

  • Macbeth at the Barbican review: Christopher Eccleston plays the Scottish traitor in this horror-inspired version by the RSC

    November 2, 2018

    Macbeth lives and dies on its witches. “When shall we three meet again?” squeaks the first, a young girl in a red dress and white tights, ribbons in her hair. Two identically dressed girls answer, then run energetically off the stage, giggling shrilly. These escapees from The Shining weave in and out of this otherwise [...]

  • Composer Nitin Sawhney opens up about the dystopia inspired by his father’s death, Brexit and Schrodinger’s Cat

    November 2, 2018

    Nitin Sawhney is difficult to pin down. He’s best known as a contemporary classical composer, but he’s also an impressive musician in his own right, playing the piano, classical and flamenco guitar, tabla and sitar. He’s written countless scores for films, TV and video games, as well as stand-alone studio albums; he received the Ivor [...]

  • Slaughterhouse Rulez is a British horror-comedy that needs more horror, and more comedy

    November 2, 2018

    Simon Pegg and Nick Frost star in this British teen-horror flick that bears some of the hallmarks of the comedy duo’s glory days, while reminding you that they were, in fact, some time ago. There are nods to the Edgar Wright directed “Cornetto Trilogy”, comprising Shaun of the Dead, Hot Fuzz and The World’s End, [...]

  • Mirai is a beautiful film about the trials and tribulations of childhood

    November 2, 2018

    Many a coming-of-age tale about a plucky tween has been told in animation. The growing pains of a four-year-old brat, however, make for a less appealing subject. Who better to give it a shot, though, than Mamoru Hosoda, anime’s patron saint of families? In films like Wolf Children (2012), Hosoda used folkloric characters and fantastical [...]

  • Peterloo film review: Mike Leigh’s best since Secrets & Lies is a stunning piece of filmmaking

    November 2, 2018

    First, a history lesson: on August 16th 1819, at a pro-democracy demonstration in Manchester, a skittish militia charged with keeping the peace rampaged with sabres drawn into a crowd of some 70,000 unarmed people, killing 15 and injuring hundreds. Though the crowd’s central demand – equal votes for all men – went unmet, Peterloo was [...]

  • Red Dead Redemption 2 review: Rockstar’s cowboy sim is the most impressive game world ever created

    November 1, 2018

    Never have I inhabited a video game like I have inhabited Red Dead Redemption 2. It's a mind-boggling achievement in open-world game design, to be mentioned in the same breath as The Witcher 3 or Breath of the Wild, setting a new high bar for immersion and visual fidelity. The sheer scale of human endeavour involved is [...]

  • A Very Very Very Dark Matter review: Martin McDonagh’s twisted Han Christian Andersen biography is a weird blunder

    October 26, 2018

    There’s lots to love about Martin McDonagh, author of such universally acclaimed works as In Bruges, Seven Psychopaths, The Pillowman, and lately the Oscar-nominated Three Billboards. His newest play, A Very Very Very Dark Matter, has all the hallmarks of his weirder writing. It’s a twisted, violent and deeply ironic reimagining of the life of [...]

  • Good Grief, Charlie Brown! at Somerset House review: A fantasyland for Peanuts fans

    October 26, 2018

    Until March 2019 If you didn’t grow up reading Charles M Schulz’ cartoon strips, you might wonder what all the fuss is about. Isn’t it just a cartoon strip about an anthropomorphised dog designed to sell pencil cases? But despite the Schulz estate’s willingness to cash in on the Snoopy IP, Peanuts is something entirely [...]

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