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      Uefa threatens Infantino with criminal complaint as Fifa row takes explosive twist

      FIFA President Gianni Infantino with raised hands, wearing a dark suit and white shirt, at a public event.

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      Uefa threatens Infantino with criminal complaint as Fifa row takes explosive twist

      FIFA President Gianni Infantino with raised hands, wearing a dark suit and white shirt, at a public event.

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      Barts North Wing would be a worthy Toast Award winner

      Ornate St. Bartholomews Hospital mural, depicting biblical scenes, on a grand staircase with carved wood and gold trim

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Culture

  • The Hole in the Ground film review: An intense psychological horror that plays on our fears of motherhood

    March 6, 2019

    This suffocating psychological horror sits alongside the likes of The Babadook and Hereditary in a wave of movies that take our fears of rearing offspring and makes them terrifyingly solid, Rosemary’s Baby or The Exorcist for the 21st century. Seána Kerslake plays Sarah, a single mother who moves to a small Irish village with her young [...]

  • Dorothea Tanning at the Tate Modern review: The feverish, psychosexual work of a bona fide genius

    March 1, 2019

    Strolling through the Tate Modern’s latest show is like revisiting a barely remembered dream: familiar yet strange, perhaps a little frightening. This retrospective of Dorothea Tanning’s 70-year career is a hell of a show, in more ways than one. It’s filled with bizarre, nightmarish visions that hint at psychosexual forces lurking just beyond our conscious [...]

  • Only Fools and Horses The Musical review: This plonker of a cockney knees-up is as dodgy as a nine bob note

    February 28, 2019

    Only Fools and Horses, the revered and endlessly repeated BBC sitcom you resort to watching only once you’ve scrolled past the show about police dogs and the other one about furious Vietnamese women trying to smuggle papayas past New Zealand customs, occupies a very special place in the British psyche. It’s a treasured relic of [...]

  • DEBATE: With the Oscars success of Roma, has Netflix broken the dominance of the traditional film studios?

    February 26, 2019

    With the Oscars success of Roma, has Netflix broken the dominance of the traditional film studios? Abbie Llewelyn, freelance writer and commentator, says YES. Just six years after Netflix started producing original content, it has scored 15 nominations and three wins at the Oscars. This is a huge breakthrough for streaming platforms, as up until [...]

  • On the Basis of Sex film review: Ruth Bader Ginsburg biopic is timely but takes few risks

    February 22, 2019

    On the Basis of Sex is a timely reminder of all that US Supreme Court Justice Ruth Bader Ginsburg accomplished on the long, winding road towards gender equality, and why it still matters today. We open on the Harvard victory song, extolling the triumphs of the “men” in attendance. It is 1956, the sixth year [...]

  • Cold Pursuit film review: Liam Neeson’s junket admission eclipses an otherwise serviceable revenge drama

    February 22, 2019

    In an alternate timeline, Cold Pursuit would have been a low-key cinematic release, more of the same from an actor we’ve come to know as the go-to guy for revenge dramas. But Liam Neeson had other ideas. In a run-of-the-mill press junket, Neeson, apropos of nothing, told a story about stalking the streets of Belfast [...]

  • Shipwreck play at the Almeida review: An ambitious but flawed take on the Trump presidency

    February 22, 2019

    You wait months for a fractured, meandering, three hour play about politics and then two come along at once. Following the Old Vic’s tortuous reheating of Arthur Miller’s depression-era memoir The American Clock comes the Almeida’s Shipwreck, a new play that concerns itself with the bleeding edge of the Trump presidency. It begins with a [...]

  • Berberian Sound Studio review: This homage to giallo horror films is a supernatural assault on the senses

    February 22, 2019

    Berberian Sound Studio is a pedestrian name for a pretty out-there theatrical experience. Based on a horror film directed by Peter Strickland and starring Toby Jones, it was lavished with praise on the art film circuit when it was released in 2012. Now it’s a play in the Donmar Warehouse, whose intimate seating arrangements and [...]

  • Franz West at the Tate Modern review: A vivid picture of of a singular mind

    February 22, 2019

    I left the Tate Modern’s Franz West exhibition with a strong desire to get extremely drunk with the artist. Now sadly deceased, West was louche and messy, arrested on at least two occasions for being publicly sozzled, and his entire oeuvre feels like a mad two fingers up to the art establishment. Producing work from [...]

  • Diane Arbus: In the Beginning at Hayward Gallery review: A master who helped define New York City

    February 14, 2019

    The latest blockbuster exhibition at the Hayward Gallery makes me nostalgic for a time I barely remember, and that will be completely alien to many who visit this show. It was a time when a single photographer could come to define a place and time, their work spanning decades, their vision becoming ingrained on the [...]

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