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Culture

  • Theatre review: Closer is going through the motions

    February 27, 2015

    Donmar Warehouse | ★★★☆☆ Patrick Marber’s Closer, which debuted at the National Theatre in 1997, is a caustic, bitter, sometimes hilarious exploration of modern relationships and the perils of lust. Those parts of us we keep hidden away – petty jealousies, nagging doubts that the grass is greener somewhere else – are laid bare, opened [...]

  • Forensics: The Anatomy of Crime at the Wellcome Collection – art review

    February 27, 2015

    Wellcome Collection | ★★★★☆ After a £17.5m rebuild, the Wellcome Collection reopens with another stomach-churning exhibition for the “incurably curious”. The Institute of Sexology made visitors blush with an extensive collection of risqué artefacts, while Death: A Self-Portrait chilled them to the bone with ghoulish exhibits.   Forensics: The Anatomy of Crime has more in [...]

  • Film review: It Follows is terrific, horrific fun

    February 27, 2015

    Cert 18 | ★★★★☆ The last decade hasn’t been kind to the slasher movie. Its heyday came in the late 1970s and early 80s, with John Carpenter’s iconic Halloween, which paved the way for the likes of Friday 13th and Nightmare on Elm Street. Then Wes Craven reinvigorated the genre with 1996’s Scream – a [...]

  • Theatre review: The Nether at the Duke of York’s Theatre

    February 27, 2015

    Duke of York’s Theatre | ★★★★★  In the near future, the internet has evolved into the Nether, a construct of increasingly convincing fantasy realms, where ever more people choose to escape the costs or privations of the real world. A man known as Sims (Stanley Townsend), has created a private realm called the Hideaway. It [...]

  • Theatre review: Tour de force Ralph Fiennes steals the show in Man and Superman

    February 26, 2015

    Lyttelton Theatre | ★★★★☆ Whew, how he does talk!” So exclaims the commodore from Don Juan, listening in as Ralph Fiennes’ garrulous Juan debates with the Devil. The same applies to Jack Tanner, Juan’s descendant and the protagonist of this supremely wordy play. First performed in 1905, George Bernard Shaw’s Man and Superman may be [...]

  • Something for the weekend

    February 26, 2015

    DRINK! MEANTIME TASTING ROOMS If you’re into your craft beer, why don’t you, er, hop along to the Meantime Tasting Rooms where all the brewery’s beers are on tap. Open all day till 11pm, Lawrence Trading Estate, Blackwall Lane, Greenwich, visit meantimebrewing.com WATCH! BEST PICTURE WEEK Missed out on some of the films of the [...]

  • Photography review: Human Rights and Human Wrongs

    February 20, 2015

    Photographers’ Gallery | ★★★★☆ Starting with the 1948 Universal Declaration of Human Rights, the Human Rights and Human Wrongs exhibition features 300 prints taken from the Black Star collection of twentieth century photoreportage. The prints depict racism, oppression and a common struggle uniting movements as diverse as American Civil Rights and north Africans’ attempts at [...]

  • Magnificent Obsessions: The Artist as Collector – art review

    February 20, 2015

    Barbican | ★★★★☆ What art do artists like? From Damian Hirst’s extensive collection of stuffed animals and skulls to Peter Blake’s near-bottomless stock-pile of vintage road signs, many of today’s leading artists are as enthusiastic about accumulating stuff as they about making it. Over two levels of the Barbican, Magnificent Obsessions presents 8,000 objects belonging [...]

  • Film review: Duke of Burgundy

    February 20, 2015

    Cert 18 | ★★★★☆ That The Duke of Burgundy’s release falls within a week of a certain other sadomasochistic soap opera is probably no coincidence (get them while they’re still hot), but the association does Peter Strickland’s filthy-but-tender love story a disservice.   We are first introduced to Evelyn, a maid whose sadistic mistress Cynthia [...]

  • Theatre review: Mark Strong stars in A View From the Bridge

    February 20, 2015

    Wyndham’s Theatre | ★★★★☆ The set in Ivo van Hove’s lauded adaptation of Arthur Miller’s classic A View From the Bridge (first shown at the Young Vic in 2014) evokes both a boxing ring and a pagan temple. It’s an ideal space for a play in which desire wrestles with reason on the way to [...]

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