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Culture

  • Our Brand is Crisis review: Sandra Bullock props up this darkly comic political satire

    January 22, 2016

    Dir. David Gordon Green | ★★★☆☆ Retired political campaign strategist turned kooky pot-spinning hermit Jane Bodine (Sandra Bullock) is coaxed back into the electioneering racket for one last, career-defining escapade. Her mission? Transform the fortunes of a down-in-the-polls Bolivian presidential hopeful, whose previous corruption-sullied term still sticks in the memory of the downtrodden electorate. A [...]

  • The 5th Wave review: This hollow sci-fi action flick is a weak emulation of The Hunger Games

    January 22, 2016

    Dir. J Blakeson | ★★☆☆☆ Chloe Grace Moretz made her name as Hit Girl, the sweary child assassin in Kick-Ass, who was just as comfortable dropping c-bombs as she was dropping actual bombs. Now, she’s old enough to be getting her nun-chucks into some bad-ass lady roles, but instead she’s stuck with soppy teenagers like Cassie [...]

  • Room review: a woman and her son are held captive by her psychotic abuser

    January 14, 2016

    Dir. Lenny Abrahamson | ★★★★☆ Based on the book by Emma Donoghue, Room is a screenplay adaptation of the gut-wrenchingly bleak story of Joy (Brie Larson), a young woman kidnapped and imprisoned by her psychotic abuser. She shares the tiny, soundproofed space with her spirited and oblivious five-year-old Jack (Jacob Tremblay), whose severely limited understanding of [...]

  • The Revenant film review: Inarritu’s masterpiece about the resilience of the human spirit

    January 14, 2016

    Dir. Alejandro G. Inarritu | ★★★★★ Cast your minds back to this time last year, and Mexican director Alejandro Inarritu’s Birdman was only a few weeks away from winning the Best Picture Oscar. A claustrophobic, wordy film that charted the breakdown of a washed-up actor, the action largely took place inside, the camera winding its way around [...]

  • Champagne Life review: Our verdict on the Saatchi Gallery’s first all-female art exhibition

    January 14, 2016

    Saatchi Gallery | ★★★☆☆ Taking its name from one of the pieces on display, Champagne Life at Saatchi Gallery presents the work of 14 emerging female artists from a diverse set of backgrounds. It’s the first all-woman exhibition in the gallery’s 30-year history, somewhat surprisingly, but rather than attempt to offer an ambitious and all-encompassing commentary [...]

  • Creed film review: This Rocky sequel has just the right amount of nostalgia

    January 14, 2016

    Dir. Ryan Coogler | ★★★★☆ Forty years on, Sylvester Stallone’s ultimate underdog is back. Creed follows Adonis (Michael B. Jordan), the illegitimate son of Apollo Creed, as he battles the shadow of a father he never knew and the weight of expectation to embark on a boxing career, trained by his father’s most famous opponent, Rocky Balboa. [...]

  • Capturing the City preview: Unseen photography on show at the Bank of England Museum

    January 14, 2016

    Free | Bank of England Museum City workers that have to navigate their way along the labyrinthine corridors off Bank junction to get to the office every morning can be forgiven for rushing past this historical trading site, eager to escape the congested mayhem. Luckily, the Bank of England Museum – an often-overlooked gem – [...]

  • The Hateful Eight film review: Tarantino has made a maverick masterpiece

    January 8, 2016

    ★★★★★ Dir. Quentin Tarantino Once you look past the numerous news headlines surrounding its release, Quentin Tarantino’s eighth film is one of the filmmaker’s most ambitious to date. Kurt Russell, Jennifer Jason Leigh and Samuel L Jackson star in the story of eight strangers in post-Civil War America forced into the same cabin by a [...]

  • Les Liaisons Dangereuses theatre review: A lightweight interpretation that won’t worry Malkovich

    January 8, 2016

    Donmar Warehouse | ★★★☆☆ John Malkovich's career-defining turn as the Vicomte de Valmont in the film adaptation of Les Liaisons Dangereuses created an archetype for the sexually-charged villain. The film was based on a play by Christopher Hampton (he also wrote the screenplay), and cemented the role as one of the more complex and coveted [...]

  • Guys & Dolls theatre review: A charming revival of a bona fide classic

    January 8, 2016

    Savoy Theatre | ★★★★☆ The last play to grace the stage of The Savoy was Gypsy, where Imelda Staunton gave a rip-roaring, throat-shredding performance that’s likely to go down in theatre legend. It was always going to be a tough act to follow, but with the Chichester Festival’s revival of Guys and Dolls, we’re safely cosseted [...]

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