Twiggy at London Film Festival review: Sadie Frost captures why she was so groundbreaking October 16, 2024 Twiggy by Sadie Frost, London Film Festival review and star rating: ★★★★☆ Posh ’90s party girl Sadie Frost has reimagined herself as a documentary maker. In 2022 she directed Quant, about iconic ’60s designer Mary Quant, and her 2024 gambit is about model turned singer, actor and M&S saviour Twiggy. Frost seems to have a [...]
Joy at London Film Festival review: this Netflix sob-fest with Bill Nighy is unmissable October 15, 2024 Joy film review and star rating from the London Film Festival: ★★★★☆ Thomasin McKenzie does a spiffing impression of Renée Zellweger as Bridget Jones in Netflix’s Joy. Whenever there’s bad news, she scrunches up her face like an enraged toddler, like Zellweger does when either Colin Firth or Hugh Grant do the dirty on her. [...]
Profit slashed at Eon Productions as wait for new James Bond continues October 15, 2024 Profit at Eon Productions, the company behind the James Bond movie franchise, was slashed in 2023 despite its turnover jumping, it has been revealed. The London-headquartered business has reported a pre-tax profit of £224,985 for its latest financial year. The total comes after the firm posted a pre-tax profit of £900,879 for 2022. Newly-filed accounts [...]
Darker than Saltburn: Barry Keoghan is amazing as a topless gunman in gory new thriller October 14, 2024 Bring Them Down at the London Film Festival, review and star rating: “Darker than Saltburn’ ★★★★ It’s been exactly a year since Saltburn premiered at the London Film Festival, elevating Barry Keogan to elite-level grave-shagger and enigmatic prettyboy of the moment. You won’t need reminding that in the year since, he’s joined Paul Mescal in [...]
Pathé switches to high-end TV drama as loss continues despite Sir Michael Caine swan song October 14, 2024 The UK arm of movie maker Pathé remains in the red despite releasing the final film featuring Sir Michael Caine amid its switch to high-end TV drama. Pathé Entertainment, which is headquartered in London, has reported a pre-tax loss of £4.8m for 2023, according to newly-filed accounts with Companies House. The loss comes after the [...]
Barbenheimer fails to drag Showcase Cinemas owner out of the red October 14, 2024 The popularity of films such as Barbie and Oppenheimer failed to drag the company behind Showcase Cinemas out of the red despite boosting its sales, it has been revealed. The UK arm of National Amusements has reported a pre-tax loss of £13m for the year to 4 January, 2024, according to newly-filed accounts with Companies [...]
Four Mothers at London Film Festival review: This Irish ode to oldies is like a big warm hug October 13, 2024 Four Mothers premiered at the London Film Festival on 13 October. Our rating: ★★★★ Irish writer siblings Colin and Darren Thornton’s rumination on the challenges of balancing family life with personal ambition embraces like a big warm hug. Four Mothers follows Edward, a queer 30-something writer whose book on teenage trauma has found success in [...]
Wallace and Gromit maker Aardman slips into the red October 11, 2024 Aardman, the studio behind Wallace and Gromit, fell into the red during 2023, it has been revealed. The Bristol-headquartered business has reported a pre-tax loss of £550,135 for its latest financial year. The loss comes after the studio posted a pre-tax profit of £1.5m in 2022. Aardman said it fell to a pre-tax loss because [...]
Timestalker is the saucy, grizzly anti-romance British cinema needs October 10, 2024 Having spent much of her acting career in cult favourites such as TV comedy Garth Merenghi’s Dark Place and 2012 indie film Sightseers, Alice Lowe broke through as a director with her 2016 comedy slasher Prevenge. She follows up that success with her second directorial effort, high concept comedy Timestalker. She plays Agnes, a woman [...]
Salem’s Lot review: Dreary HBO Max vampire horror lacks bite October 10, 2024 The work of Stephen King has been adapted for TV and film consistently since the author began writing. Some result in classics – The Shawshank Redemption and IT – while other fail to capture the spirit of the story and are forgotten. The latest adaptation of King’s second novel, ‘Salem’s Lot, seems destined for the latter [...]