Atomic Blonde film review: Charlize Theron dazzles in this exercise in style over substance by director of John Wick August 11, 2017 Every few years a movie comes along that rewrites the rule-book for the Hollywood blockbuster, sending out tonal and stylistic ripples for decades to come. There was Die Hard with its dry, flawed protagonist John McClane, the Bourne series’ perpetual-motion shaky-cam, the Matrix’s use of bullet time. And in 2014 there was John Wick. Combining [...]
Shin Godzilla film review: A delightfully silly, politically astute return to the schlocky origins of the world’s favourite monster August 11, 2017 He may be approaching retirement age, but 63-year-old Godzilla can still bring home the bacon. A big-budget Warner Bros movie pitting him against fellow monster King Kong is currently in the pipeline, and Bryan Cranston’s 2014 reboot made more than $500m at the box office. Shin Godzilla – or “Godzilla Resurgence” as it’s translated for [...]
Project Mayhem theatre review: Dalston immersive event has a violent charm but lacks narrative ambition August 9, 2017 The first rule of this immersive theatre production is: I’m not allowed to reveal the name of the source material. The second rule of this immersive theatre production… You get the picture. Project Mayhem, as it’s not-very-subtly named, is the latest show by Secret Studio Lab, a company that sounds like, but is not, a [...]
Allelujah! review: Alan Bennett’s NHS play at the Bridge Theatre is cosy and cautionary all at once July 27, 2017 It’s often said that the NHS and the BBC are the twin religions of Britain. If there’s a triplet, it’s probably Alan Bennett, who’s decided to make the health service the subject of his first new play in five years. Allelujah! isn’t quite as sprightly as it sounds, being set on a geriatric ward, but [...]
City of Ghosts film review: An important documentary held back by lumbering, artless direction July 21, 2017 In 2013, after ISIS took control of Raqqa, a group of citizen journalists began secretly recording and publishing their activities. Calling themselves Raqqa Is Being Slaughtered Silently (RBSS), the group formed to counter ISIS’s slick propaganda machine, and deliver the truth about their atrocities to the world. Much of what we know about ISIS’s barbarism [...]
Spider-Man: Homecoming review: Not the character-defining movie we’re waiting for July 6, 2017 The latest Marvel blockbuster is strewn with in-jokes, each one a little gift to fans for continuing to buy tickets for a franchise that now spans 16 movies. Take the title: “Homecoming” does refer to an event in the film – which lasts all of five minutes – but every Marvel geek knows it’s really [...]
Royal Academy Summer Exhibition 2017: The same old show with the same old problems June 8, 2017 Each year the Royal Academy selects many hundreds of works of art, both amateur and professional, and piles them high and wide for its Summer Exhibition. And each year many thousands of words are written questioning whether this is Any Way to View Art. The correct answer is “No, this is No Way to View [...]
Barber Shop Chronicles review: Inua Ellams’ razor sharp play draws profound connections between disparate men June 8, 2017 Set in half a dozen barber shops across two continents, Inua Ellam’s energetic, funny, banter-driven play seeks to join the dots between the experiences and opinions of black men in geographically disparate locations. And there are are plenty of dots to join in a play that ricochets between barber’s chairs as far apart as Johannesburg [...]
887 at the Barbican review: an unmissable evening for fans of Lepage’s brilliant brand of stagecraft June 2, 2017 French-Canadian auteur Robert Lepage returns to the Barbican with a solo show suffused from first second to last with his inimitable brand of heartwarming and absurd stagecraft. It's ostensibly a memoir about Lepage growing up in a working class tenement block in Quebec, with the building brought spectacularly to life by an incredible scale model, [...]
Zero Point at the Barbican review: a visually stunning but eventually tiresome mash-up of ballet and Japanese butoh June 2, 2017 For a while, Darren Johnston’s Zero Point is mesmerising: the bodies of a dozen or so Japanese dancers twist and warp as they contort through beams of light. Projections turn them into living blocks of static. At times they dance alone in the dark, your eyes only making out vague outlines of limbs. The audience, [...]