Ghostbusters review: Just how important is a penis when it comes to running a successful ghost busting enterprise? July 14, 2016 How can a woman bust a ghost when her dumb boobs would just get in the way? This philosophical quandary is just one of the many posed by the terrible crowd of awful men who live on the internet and split their time evenly between shouting at imaginary women and angrily squirming around on the [...]
Ctrl at RADA Studios by Breaking Fourth is the world’s first VR play, and we can’t get enough of it July 14, 2016 This debut feature from Breaking Fourth claims to be the first Virtual Reality play, combining elements of video game storytelling with both traditional and immersive theatre. In this case, the “theatre” is a dark room filled with swivel chairs, where you’re given a short, in-character introduction before being told to don your VR headset (Samsung [...]
Cut is a psychological thriller half set in complete darkness July 14, 2016 A one-woman art performance in which a stunned audience is subjected to the traumatic inner brain-wrongs of a rapidly unravelling, paranoid air hostess, Cut is part psychological thriller and part first-person exploration of violent schizophrenic horror. In the tiny Vaults Theatre beneath the rail arches of Waterloo station, viewers are repeatedly plunged into complete darkness [...]
The Stripper play at St James Theatre review: Richard O’Brien’s follow-up to The Rocky Horror Picture Show gets stuck in a sexist time warp July 13, 2016 This 1980 musical by Rocky Horror writer Richard O’Brien – itself an adaptation of Carter Brown’s pulpy 1959 short story – fails at any point to justify its revival. O’Brien’s hero is Al Wheeler (Sebastien Torkia), a California cop who fails to save the suicidal Patty Keller (Gloria Onitri) from a window ledge drop. “Did [...]
Unreachable at the Royal Court theatre review: former Doctor Who Matt Smith adds sparkle to this meandering tale of egotistical genius July 13, 2016 Anthony Neilson’s latest play is a wry examination of tortured artists and overblown filmmakers, a cautionary tale of how ego can sever your links to reality. It may remind you of the more dramatic people on your Instagram feed. Troubled director Maxim (Matt Smith) is obsessed with capturing light on film. Not just any light: [...]
Men & Chicken movie review: Mads Mikkelsen stars in this deranged, blacker than black Danish comedy July 13, 2016 This pitch-black Danish comedy touches upon incest, sex addiction, bestiality and vivisection, yet still manages to be disarmingly adorable. It follows two cleft-lipped brothers, depressive Gabriel (David Dencik) and compulsive masturbator Elias (Mads Mikkelsen, in a role as far from his part as Le Chiffre in Casino Royale as it’s possible to get) as they search [...]
Ragnar Kjartansson at Barbican review: top Icelandic artist explores the point where performance meets reality July 13, 2016 Every five years Icelandic artist Ragnar Kjartansson records a video of his mother repeatedly spitting in his face. So far there are four videos, which play side-by-side in this Barbican retrospective of his work. They encapsulate a question that’s fascinated him throughout his career – where do performance and reality meet? His mother is a [...]
Needles and Opium at barbican review: a surreal jazz noir and absurdist Miles Davis tribute July 13, 2016 Needles and Opium is a surreal jazz noir staged in a giant revolving cube. It’s a revival of a 1991 play by mercurial French Canadian theatre director Robert Lepage, whose past works include Lipsynch, a nine-hour meditation on the human voice. This play begins with actor Marc Labrèche – who also starred in the production [...]
John Wesley exhibition: the Los Angeles-based artist to host exhibition at London’s Waddington Custot July 12, 2016 At first glance, you might throw Wesley in with the pop artists. Recurring female nudes recall a less fetishised Allen Jones, the industrial blocks of colour echo both Haring and Lichtenstein, his rhythmic repetition brings to mind Warhol. But Wesley sits uneasily in this company; even his more overtly pop motifs – Pop Eye and [...]
The Neon Demon review: Nicolas Winding Refn’s follow-up to Gosling smash Drive is a work of haunting genius July 8, 2016 The Neon Demon is to modelling what Requiem for a Dream is to heroin. It seduces you with visions that are equal parts urban grit and starry ambition, then delivers a punch-in-the-gut verdict, summarily, “Hey, kids, drugs are all fun and games until you get your arm sawn off.” In a similarly brutal fashion, Elle [...]