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Culture

  • Gary Numan: Android in La La Land is a surprisingly touching rockumentary about one of music’s true geniuses

    August 25, 2016

    You don’t expect subjects such as Asperger’s Syndrome, depression and parental bonds to be explored in a music documentary, but then electronic music pioneer Gary Numan has never been one to meet expectations. The disarmingly frank star discusses his career and difficulties with the limelight, and embarks on a daunting transatlantic move with his colourful [...]

  • Cell film review: Dull dialogue kills this film that’s co-written by Stephen King about smartphone zombies

    August 25, 2016

    Cell hopes to do for smart phones what Jaws did for beaches, but it’s unlikely anyone will be wary of their devices after seeing this messy adaptation of the Stephen King novel. John Cusack competes with Samuel L Jackson for the most bored looking star, playing two men desperate to survive a zombie holocaust instigated [...]

  • Julieta review – Pedro Almodóvar’s story of love, loss and grief is compelling and beautiful

    August 25, 2016

    After the high-camp of I’m So Excited and the queasy body-horror of The Skin I Live In, Pedro Almodóvar returns to his roots with a story that shines a light into the dark recesses of grief. It initially appears to be a modern noir, a detective story complete with moody jazz soundtrack, albeit one drenched [...]

  • The Purge: Election Year review – this take-down of Donald Trump’s politics is a joyous satirical juggernaut

    August 25, 2016

    The Purge franchise, now on its third iteration, takes a simple, silly premise – that for one night every year all crime is legal – and holds onto it like a rottweiler on a toddler’s arm. The first instalment, starring Ethan Hawke, was a straight-forward home invasion thriller, Panic Room by way of The Strangers, [...]

  • War Dogs review: This true story of a pair of Miami tweens turned international arms dealers lacks bite

    August 25, 2016

    A bro-comedy based on the true story of a couple of stoners who sold guns to the US government, War Dogs casts Jonah Hill (from lots of things) and Miles Teller (from the film where he can hit a drum really quickly) as the two plucky young Miami dweeblings turned arms dealers to the Pentagon. [...]

  • They Drink it in the Congo at the Almeida Theatre review: A witty, gritty exploration of post-colonial guilt and privilege

    August 25, 2016

    From the fluorescent paint-splashed posters of They Drink it in the Congo, you’d be forgiven for thinking this new production was a warm up show for the Notting Hill Carnival. In fact, Adam Brace’s second play is a dark, unflinching look at a troubled country and the poster is just one of many misconceptions shattered [...]

  • David Brent: Life on the Road review: Ricky Gervais plays his excruciating old hits one more time

    August 18, 2016

    Ricky Gervais may have captured the zeitgeist with The Office, but he’s reminded us often enough in the 13 years since it finished that it’s a bar he’s not always capable of hitting. This movie spin-off shows he can still play those toe-curling greatest hits, even if his film isn’t exactly brimming with new ideas. [...]

  • The Amazing Story of Adolphus Tips is an utterly refreshing family drama

    August 18, 2016

    The extravagantly titled 946: The Amazing Story of Adolphus Tips, is a conventional tale of wartime Britain, made extraordinary by an unusual approach. Stripped-back staging and exaggerated performances create a heightened reality, and pervasive humour means that when tragedy inevitably strikes, it’s blindsiding. Based on real-life events – and a novel by Michael Morpurgo – [...]

  • Groundhog Day at the Old Vic review: Tim Minchin’s follow-up to Matilda is a bawdy, hilarious modern-day Dickens tale

    August 18, 2016

    At the opening of Groundhog Day I overheard David Walliams say to writer Tim Minchin: “This better be bloody good.” He was saying what everyone was thinking: there’s an absurd amount of expectation heaped on Minchin’s first musical since 2010’s Matilda, a level of hype perhaps not seen since The Book of Mormon. So it’s just as [...]

  • Our Ladies of Perpetual Succour play review: a rowdy, sweary look at adolescents escaping to the big city

    August 11, 2016

    National Theatre of Scotland’s breathtakingly rude adaptation of Alan Warner's novel The Sopranos is all about finding the sacred in the every day, even if that consists of getting off your face on magic mushroom lager. Written by Billy Elliot playwright Lee Hall, it follows six Catholic schoolgirls from the rougher parts of Oban who're [...]

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