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Culture

  • Ryan Gosling and Emma Stone may take the La La Land plaudits, but Londoner Marius de Vries is the man behind the musical’s genius

    February 18, 2017

    It’s tough being a Hollywood actor in 2017. Gone are the days when being in films was enough to make you a star. Now, you’re expected to have political opinions, a kooky yet glamorous Instagram account and the ability to belt out song and dance numbers at the drop of a top hat. At least, [...]

  • Ryan Gosling and Emma Stone may take the La La Land plaudits, but Londoner Marius de Vries is the man behind the musical’s genius

    February 18, 2017

    It’s tough being a Hollywood actor in 2017. Gone are the days when being in films was enough to make you a star. Now, you’re expected to have political opinions, a kooky yet glamorous Instagram account and the ability to belt out song and dance numbers at the drop of a top hat. At least, [...]

  • Eduardo Paolozzi Whitechapel Gallery: artist’s technophobia is a mirror for millennial fear

    February 17, 2017

    Even if you don’t know the name Eduardo Paolozzi, you’ll be aware of his work: he’s the man behind the brightly-coloured mosaics at Tottenham Court Road underground station. These vibrant, energetic works – saxophones and commuters and abstract spheres – belie a man whose artistic life is perhaps best summed up as a prolonged existential [...]

  • The Great Wall film review: It’s a shame, but this Chinese film plays like a bog standard Hollywood movie

    February 17, 2017

    Dir. Zhang Yimou Hero director Zhang Yimou’s expensive opus sees Matt Damon play a mercenary taken prisoner on the Great Wall of China, during the Song Dynasty. He discovers the wall was built to protect the country from invading alien monsters, and joins the fight to keep them at bay. The film represents a landmark [...]

  • Hidden Figures film review: This timely story is important, if a tad sentimental

    February 17, 2017

    Dir. Theodore Melfi One of the films vying for Best Picture at next weekend’s Oscars, Hidden Figures tells the fascinating story of three African-American women (Taraji P Henson, Octavia Spencer and Janelle Monae) who overcome prejudice to be vital in NASA’s first missions to space. The issue of racism within the space programme is handled [...]

  • The Founder film review: the story of Ray Kroc, the man behind McDonalds’ fast food empire, is a fascinating watch

    February 17, 2017

    Dir. John Lee Hancock The story of Ray Kroc and the birth of one of the great corporate empires is a fascinating watch. Set in the 50s, a struggling milkshake machine salesman (Michael Keaton) stumbles across a small burger shop named McDonald’s, with two brothers setting out a system to deliver the perfect burger quickly. [...]

  • Moonlight film review: If La La Land wasn’t released this year, this is the film everyone would have been talking about

    February 17, 2017

    Dir. Barry Jenkins Had La La Land waited until next year to charm the world, there’s every chance Moonlight would be the film everyone is talking about at next Sunday’s Oscars. Spanning several years, we look at three phases in the life of quiet Miami kid Chiron as his home life, sexuality and surroundings threaten [...]

  • John Wick Chapter 2: a thrilling sequel that doesn’t screw up the original’s legacy

    February 17, 2017

    John Wick was a rain-drenched, neon-soaked tonic for the Hollywood action movie. It borrowed elements of French neo-noir, Hong Kong revenge drama and grind-house cinema, packaging it all into a taut, minimalist blockbuster that instantly became every cinephile’s popcorn movie du jour (at least until Fury Road came along a year later). The premise was [...]

  • Eduardo Paolozzi Whitechapel Gallery: artist’s technophobia is a mirror for millennial fear

    February 17, 2017

    Even if you don’t know the name Eduardo Paolozzi, you’ll be aware of his work: he’s the man behind the brightly-coloured mosaics at Tottenham Court Road underground station. These vibrant, energetic works – saxophones and commuters and abstract spheres – belie a man whose artistic life is perhaps best summed up as a prolonged existential [...]

  • Wolfgang Tillmans 2017 at Tate Modern review: a celebration of banality with little to give

    February 17, 2017

    This collection of 14 years’ worth of work by Turner Prize-winning photographer Wolfgang Tillmans is a globetrotting celebration of banality, the output of an artist who long ago started believing his own hype. Pictures are scattered throughout the space, some metres high and framed, others postcard-sized and sellotaped to the wall, each one designed to [...]

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