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Culture

  • Phantom Thread review: Daniel Day-Lewis bows out with fantastically creepy period drama directed by Paul Thomas Anderson

    February 2, 2018

      There are few more enticing prospects than Paul Thomas Anderson, one of our greatest living filmmakers, directing Daniel Day-Lewis, one of our finest actors. Throw into the mix the frisson of extra excitement that comes with Day-Lewis’ claim that this will be his final acting role, and you have the ingredients for something unmissable. [...]

  • Roman J Israel Esq review: Denzel Washington shines but can’t quite save this messy law drama

    February 2, 2018

      Roman J Israel Esq lines up its ducks – a star actor on blistering form, a timely dissection of racial bias in the US legal system, a distinctive visual style – yet manages to come home empty handed. It’s the second feature from Dan Gilroy, following 2014’s chillingly nihilistic Nightcrawler. And while that was [...]

  • Ocean Liners: Speed and Style review: A new V&A exhibition is showcasing the glamour days of cruise liner lifestyle

    February 1, 2018

      For about a hundred years ocean liners were the primary mode of intercontinental travel. First they ferried immigrants across the Atlantic in their huddled masses, then became vital troop transport during the First World War, before finally evolving into the luxurious art deco hotels on waves we recognise from our favourite period nautical dramas [...]

  • Early Man film review: Aardman Animations returns to its roots with this prehistoric football fable

    January 29, 2018

      Aardman Animations, creator of beloved duo Wallace & Gromit, rarely puts a plasticine foot wrong. Its stop-motion shorts featuring a northern inventor and his indefatigable hound are classics for the ages, destined to be repeated every Christmas from now until the fiery end of days, passed from adoring parent to amazed child. Then came [...]

  • 12 Strong review: The true story of America’s 9/11 counter-attack is boiled down to a bland horseback war drama

    January 25, 2018

      In the weeks following 9/11, the US sent a covert team into Afghanistan to liberate (and bomb the absolute bejesus out of) a handful of Taliban-occupied towns. The squad joined forces with a local Afghan warlord, and together they traversed the mountainous region on horseback, calling in airstrikes, gunning down Taliban troops and kickstarting [...]

  • Darkest Hour film review: A fine performance by Gary Oldman, but still an exercise in cosy revisionist history

    January 11, 2018

    Winston Churchill is curiously absent from the opening fifteen minutes of this new Joe Wright-directed study of the tumultuous first few weeks of his Premiership. Instead, we hear political colleagues murmur darkly about the prospect of him becoming Prime Minister in the wake of Neville Chamberlain’s resignation. It’s a clever manoeuvre; with Churchill (played by [...]

  • Hamilton London review: Believe the hype, this American smash has all the makings of a modern classic

    December 23, 2017

    Victoria Palace Theatre Believe the hype: there's plenty of it. Ever since Lin-Manuel Miranda's hip-opera made its Broadway debut two years ago, it's been a cult phenomenon, catapulting Alexander Hamilton, previously America's most overlooked Founder, into one of its most revered overnight. Many Brits have been playing the soundtrack on repeat in eager anticipation of [...]

  • Jumanji review: Not quite a rumble in the jungle, but a good stir nonetheless

    December 21, 2017

      Jumanji, an entertaining enough 1995 film about rampaging jungle animals that definitely exists on a VHS cassette in your attic somewhere, embedded itself into the pop culture fabric thanks to its now-terrible, but then-mind blowing CGI effects. Effervescent clown-person Robin Williams helped too, as did the kitschy cryptic allure of the central board game’s [...]

  • The Greatest Showman review: A musical airbrushing of the sordid history of the freak show

    December 21, 2017

      Like a circus-themed, two-hour long Adele video with original-Jumanji-era CGI elephants and lions, The Greatest Showman is a whitewashing movie-musical about the life and trials of PT Barnum, originator of the big top and freak show, and infamous exploiter of hirsute women. Hugh Jackman stars, and does a decent and sincere enough job belting [...]

  • Network at the National Theatre review: Bryan Cranston is electric in Ivo van Hove’s brilliant take on this Oscar-nominated movie

    November 17, 2017

    Dutch theatre director Ivo van Hove is nothing if not ambitious. This year alone he’s had Jude Law running on a treadmill as he delivered his lines in Obsession and filled the Barbican’s stage with water for his outstanding Persona. But Network, based on the 1976 satirical film of the same name, is on a [...]

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