The Treatment review: A darkly satirical take on the movie business and its players May 5, 2017 The Treatment is a work of lofty, detached genius, reminiscent of the jostling intellectualism of Martin Amis – it's dense, complex, and utterly assured of its own brilliance. On face value, it’s about how the media – in this case, the film industry – edits and rewrites “truth” until it’s at best a distant cousin [...]
Sleepless review: A buzzing cast can’t rescue this low-rent Die Hard-alike May 5, 2017 Universally recognised as the greatest film about clambering around inside air vents ever made, Die Hard has inspired a long list of distinguished imitators, each of them about crawling around inside different kinds of building. Among them was 2011 French action film Nuit Blanche, about a bent cop who gets tangled up in a [...]
Personal Shopper review: Anyone expecting a straightforward horror film will come out with buyer’s remorse March 16, 2017 Personal Shopper puts so much effort into not being your typical supernatural horror film that it almost forgets it’s a supernatural horror film. It opens with a familiar scene, a young attractive woman (Kristen Stewart in this case) wanders around a scary old house, following the sound of dripping taps and creaky door handles. But [...]
My Country: a work in progress at the National Theatre review: a play that tries to make sense of Brexit March 16, 2017 It has been said that our membership of the EU was too complicated a subject for a referendum, and this play – born out of a nationwide listening project – also makes the theatre feel inadequate when it comes to deciphering what the hell happened on 23 June. Each actor is assigned a region – [...]
Seventeen review: An exploration of the quirks of pissed up post-exam youngsters March 16, 2017 Premiered in Australia and reproduced for the Lyric Hammersmith, Matthew Whittet's tale of smalltown British teens getting sozzled after finishing their A-levels is a gentle love-letter to the clumsiness of adolescence, as portrayed by a cast of middle-aged actors. The characters should be immediately familiar, from coming-of-age fiction if not firsthand experience – a prancing [...]
Secret Cinema returns with a belting rendition of Moulin Rouge March 16, 2017 At the end of the 19th century, the Parisian district of Montmartre was a bohemian blend of aristocrats, artists, writers and dancers. Now you can visit the era without having to stray beyond Canning Town. You probably know the premise of Secret Cinema by now – watch a film and experience the world in which [...]
Beauty and the Beast review: This live-action remake loses most of the original’s magic March 16, 2017 The timeless story of a girl who falls in love with her malevolent captor, a ten foot tall talking bear, Beauty and the Beast famously teaches that the man of your dreams is only ever a Stockholm Syndrome away. But while this live-action remake of an animated Disney classic leaves most of the hard lessons [...]
Get Out film review: A brilliant scary movie where casual racism is the unseen terror March 16, 2017 In this Stepford Wives-style horror the unseen terror is casual racism and the insidious force is cultural whitewashing. And while that premise could easily descend into a liberal jumble of earnest back-slapping, Get Out is smart enough to balance its message with a wicked comic streak and some serious horror nous. It follows a young [...]
Michelangelo & Sebastiano review: The National Gallery’s compelling visual investigation of an overlooked artistic partnership March 16, 2017 You probably haven’t heard of Sebastiano del Piombo, the Venetian born artist and contemporary of the Renaissance superstar Michelangelo. Frankly the dynamic, superlative output of Michelangelo blows Sebastiano’s relatively diminutive works out of the water. Thankfully, this show is unconcerned with ‘rediscovering’ a lost master, or using Michelangelo’s name to sex-up a generic Italian Renaissance [...]
Who’s Afraid of Virginia Woolf? at the Harold Pinter Theatre review: Imelda Staunton is sublime in this vicious, heartbreaking drama March 16, 2017 Imelda Staunton is the furiously palpitating heart of this intoxicating – not to mention intoxicated – production of Edward Albee’s brilliant treatise on mid-life alcoholism. Often portrayed as a seductive Mrs Robinson figure, Staunton’s Martha is sexuality’s terrifying sunset, refusing to go gentle into that good night. Her conquest of the young academic Nick is [...]