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By: Steve Dinneen

Life&Style Editor I'm the editor of City A.M. The Magazine, and editor of the daily newspaper's Life&Style section. We cover food, wine, going out, culture, technology and travel. I'm also the head judge of our Toast the City awards that celebrates hospitality in the Square Mile. Find me on X @steve_dinneen

All 1163 Articles
  • The new 10.5 inch iPad Pro is the best tablet there is – but is it too good?

    July 6, 2017

    Apple is so far ahead of the pack when it comes to tablets that it inadvertently invented an entire class of products of which it has never made a single one. All those hybrid laptops, where the screen snaps off, for reasons largely unspecified, are the result of the technology industry shrugging its shoulders in [...]

  • It takes a village: How Simon Rogan transformed a Cumbrian town into an international culinary destination

    July 6, 2017

    The village of Cartmel lies just beyond the boundaries of the Lake District. It’s quietly beautiful, with squat stone buildings, rows of shops selling postcards and tourist knick-knacks, and a 12th century priory that dominates the town square. You can find lazy, bucolic idylls like this dotted across this part of the world; it’s the [...]

  • Spider-Man: Homecoming review: Not the character-defining movie we’re waiting for

    July 6, 2017

    The latest Marvel blockbuster is strewn with in-jokes, each one a little gift to fans for continuing to buy tickets for a franchise that now spans 16 movies. Take the title: “Homecoming” does refer to an event in the film – which lasts all of five minutes – but every Marvel geek knows it’s really [...]

  • Royal Academy Summer Exhibition 2017: The same old show with the same old problems

    June 8, 2017

    Each year the Royal Academy selects many hundreds of works of art, both amateur and professional, and piles them high and wide for its Summer Exhibition. And each year many thousands of words are written questioning whether this is Any Way to View Art. The correct answer is “No, this is No Way to View [...]

  • 887 at the Barbican review: an unmissable evening for fans of Lepage’s brilliant brand of stagecraft

    June 2, 2017

    French-Canadian auteur Robert Lepage returns to the Barbican with a solo show suffused from first second to last with his inimitable brand of heartwarming and absurd stagecraft. It's ostensibly a memoir about Lepage growing up in a working class tenement block in Quebec, with the building brought spectacularly to life by an incredible scale model, [...]

  • Zero Point at the Barbican review: a visually stunning but eventually tiresome mash-up of ballet and Japanese butoh

    June 2, 2017

    For a while, Darren Johnston’s Zero Point is mesmerising: the bodies of a dozen or so Japanese dancers twist and warp as they contort through beams of light. Projections turn them into living blocks of static. At times they dance alone in the dark, your eyes only making out vague outlines of limbs. The audience, [...]

  • Into the Unknown at the Barbican: an anarchic journey through the world of science fiction

    June 2, 2017

    Into the Unknown: A Journey through Science Fiction is a brilliantly anarchic history of the genre, succeeding both as a surface-level crowd-pleaser and a rigorous collection that will give fresh perspective to even the most ardent of nerds. The curation takes inspiration from the blockbuster exhibitions hosted by the V&A – from the moment you [...]

  • Going off grid: How I spent a week living in an ‘apocalypse dome’

    May 30, 2017

    The more we learn about the effects of social media on the human psyche, the worse it seems to get. The planet is hooked on dopamine squirts triggered by clever algorithms developed by the world’s finest minds, for the sole purpose of keeping us scrolling. And scrolling, and scrolling.  We’re connected to thousands of other humans from the second we wake to the [...]

  • The Treatment review: A darkly satirical take on the movie business and its players

    May 5, 2017

    The Treatment is a work of lofty, detached genius, reminiscent of the jostling intellectualism of Martin Amis – it's dense, complex, and utterly assured of its own brilliance. On face value, it’s about how the media – in this case, the film industry – edits and rewrites “truth” until it’s at best a distant cousin [...]

  • Get Out film review: A brilliant scary movie where casual racism is the unseen terror

    March 16, 2017

    In this Stepford Wives-style horror the unseen terror is casual racism and the insidious force is cultural whitewashing. And while that premise could easily descend into a liberal jumble of earnest back-slapping, Get Out is smart enough to balance its message with a wicked comic streak and some serious horror nous. It follows a young [...]

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