By: Steve Dinneen

Life&Style Editor I'm the editor of City A.M. The Magazine, and editor of the daily newspaper's Life&Style section. We cover food, wine, going out, culture, technology and travel. I'm also the head judge of our Toast the City awards that celebrates hospitality in the Square Mile. Find me on X @steve_dinneen

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Who’s Afraid of Virginia Woolf? at the Harold Pinter Theatre review: Imelda Staunton is sublime in this vicious, heartbreaking drama

March 16, 2017

Imelda Staunton is the furiously palpitating heart of this intoxicating – not to mention intoxicated – production of Edward Albee’s brilliant treatise on mid-life alcoholism. Often portrayed as a seductive Mrs Robinson figure, Staunton’s Martha is sexuality’s terrifying sunset, refusing to go gentle into that good night. Her conquest of the young academic Nick is [...]
Nier: Automata review: a thrilling, endearing, unhinged sequel to the cult classic from Yoko Taro

March 15, 2017

While big-budget western game franchises often stand accused of design-by-focus-group, their Japanese counterparts are still dominated by mercurial auteurs with singular – and often bizarre – visions. Legendary figures such as Nintendo designer Shigeru Miyamoto, Dark Souls’ Hidetaka Miyazaki, Metal Gear Solid’s Hideo Kojima and Silent Hill’s Keiichiro Toyama are inextricably linked with the blockbuster [...]
Limehouse at Donmar review: SDP drama is an invigorating take-down of Jeremy Corbyn’s Labour

March 10, 2017

"The Labour Party is fucked” is the axiomatic opening line of Steve Waters’ rousing new play. The year is 1981 and the location is the Limehouse kitchen in which the so-called “gang of four” Labour big beasts plotted the formation of the breakaway SDP. The parallels with Jeremy Corbyn’s party are dishearteningly clear. As now, [...]
Ugly Lies the Bone at the National Theatre review: War vet VR drama a rare flop for the NT

March 3, 2017

A perfect storm of poor acting, casting, script and execution beats all life from this under-powered story about a soldier dealing with the mental and physical effects of war. Jess returns home horribly scarred and in chronic pain, barely able to move her twisted body. In a bid to regain her lost freedom she embarks on a form [...]
Hamlet at the Almeida: Sherlock star Andrew Scott brings a twitchy charm to the Danish prince

March 3, 2017

King Lear has overtaken Hamlet as the most performed of the Bard’s work, but this outstanding production shows why the Danish prince is still king. The setting is thoroughly contemporary. Hamlet’s world of mid-century modern furniture and 24-hour news is seamlessly woven into the text; if you were watching the play for the first time [...]
Kong: Skull Island review: The daddy of all monster movies reimagined as a Vietnam war film

March 3, 2017

Kong: Skull Island takes the daddy of all monster movies and reimagines it as a Vietnam war drama. Set in 1973, references to Apocalypse Now are thrown around so liberally it makes you wonder if director Jordan Vogt-Roberts’ (whose only previous feature film is the coming-of-age indie film The Kings of Summer) wanted to make [...]
Eduardo Paolozzi Whitechapel Gallery: artist’s technophobia is a mirror for millennial fear

February 17, 2017

Even if you don’t know the name Eduardo Paolozzi, you’ll be aware of his work: he’s the man behind the brightly-coloured mosaics at Tottenham Court Road underground station. These vibrant, energetic works – saxophones and commuters and abstract spheres – belie a man whose artistic life is perhaps best summed up as a prolonged existential [...]
John Wick Chapter 2: a thrilling sequel that doesn’t screw up the original’s legacy

February 17, 2017

John Wick was a rain-drenched, neon-soaked tonic for the Hollywood action movie. It borrowed elements of French neo-noir, Hong Kong revenge drama and grind-house cinema, packaging it all into a taut, minimalist blockbuster that instantly became every cinephile’s popcorn movie du jour (at least until Fury Road came along a year later). The premise was [...]
Eduardo Paolozzi Whitechapel Gallery: artist’s technophobia is a mirror for millennial fear

February 17, 2017

Even if you don’t know the name Eduardo Paolozzi, you’ll be aware of his work: he’s the man behind the brightly-coloured mosaics at Tottenham Court Road underground station. These vibrant, energetic works – saxophones and commuters and abstract spheres – belie a man whose artistic life is perhaps best summed up as a prolonged existential [...]
Wolfgang Tillmans 2017 at Tate Modern review: a celebration of banality with little to give

February 17, 2017

This collection of 14 years’ worth of work by Turner Prize-winning photographer Wolfgang Tillmans is a globetrotting celebration of banality, the output of an artist who long ago started believing his own hype. Pictures are scattered throughout the space, some metres high and framed, others postcard-sized and sellotaped to the wall, each one designed to [...]

Judge throws out Richard Desmond’s billion-pound lottery case

Manchester City: Sheikh Mansour faces calls for ban from English football over UAE links to genocide

I’m a hotel expert. Here’s why I hate in-room technology

By: Steve Dinneen

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