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By: Niall Slattery

All 5 Articles
  • How ESG has impacted technology and innovation sectors

    Emerging Technology

    Increasing examples of environmental, social and governance (ESG) targets linking to executive incentive pay (sometimes as much as 20%) represents a financially lucrative area business leaders need to ensure they are getting right. ESG is a broad term comprising interlinked yet distinctive ways to evaluate the sustainability credentials of a business, including corporate governance, inclusion [...]

  • Inside BFI London Film Festival’s ‘explosion’ of virtual reality film programming

    VIRTUAL REALITY

    Kristen is deciding whether or not to have an abortion. Sat directly opposite me, her hair is dyed blue, her denim jeans are ripped and she’s opening up about her personal story. “How are you feeling?” I ask her, as luscious animations illustrate her changing feelings. She appears genuinely lifelike during our one-to-one conversation, but [...]

  • London Film Festival 2022: Seven titles not to miss, from The Whale to Empire of Light

    Film Festival

    The BFI’s London Film Festival (LFF) is just around the corner, with the Southbank Centre playing host to the great and the good of the movie business from 5-16 October. This year it will showcase 164 feature films — 22 of which are world premieres — across nine London venues.  There is something for everyone in [...]

  • Brahmāstra Part One: Shiva sees the superhero genre get the Bollywood treatment

    September 15, 2022

    Rooted in ancient Indian mythology, Ayan Mukerji’s Disney-produced Hindi-language fantasy Brahmāstra — Part 1 of a planned trilogy — has taken eight years and one pandemic to hit the big screen.  It is set within the ‘Astraverse’ — where natural elements are controlled via weapons (Astras) by a secret society called the Brahmānsh — and [...]

  • Bodies Bodies Bodies is a slasher satire of gen-Z egoists

    September 14, 2022

    Incorporating elements of slasher horror, whodunnit, and dark comedy, Halina Reijn’s English directorial debut Bodies Bodies Bodies distinguishes itself with a wry smile in a genre often overwrought with cliché and predictable storytelling. The latest offering from A24 — who graced our screens with unexpected gems like Everything Everywhere All At Once and last year’s [...]

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