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Culture

  • Film review: Selma depicts a pivotal moment in Martin Luther King’s life

    February 6, 2015

    Cert 15 | ★★★★☆ Selma does what Lincoln did so successfully and what Long Walk to Freedom made the mistake of not doing – instead of compressing a great life into two small hours, Ava DuVernay’s Martin Luther King biopic depicts a pivotal fragment of that life, one in which the greatness of the whole [...]

  • Film review: Jupiter Ascending leaves plenty of space for improvement

    February 5, 2015

    Cert 12a | ★☆☆☆☆ Sean Bean probably resisted at first. I picture bitter arguments, impassioned pleas, point-blank refusals. Contracts will have been brought out, threats made against the future of his career, the safety of his family. Eventually he capitulated, agreeing to read the line. “Bees are genetically programmed to recognise royalty.”    Jupiter Ascending’s [...]

  • Something for the weekend

    February 5, 2015

    WATCH SIX NATIONS AT THE FALTERING FULLBACK The Six Nations Championships gets underway tonight and everyone knows watching rugby is as much about the craic as it is about the game. If you’re after somewhere lively to watch Wales vs England you could do much worse than Finsbury Park’s Faltering Fullback. Visit thefullback.co.uk BOW TO [...]

  • Art review: Christian Marclay

    January 30, 2015

    White Cube Bermondsey | ★★★★☆ This is Christian Marclay’s first solo London show since 2010’s legendary The Clock, the 24 hour video montage of film clips including clocks, watches and people telling a time perfectly synchronised with the real world. Though none of these works reach the dizzy heights of that masterpiece, there’s still plenty [...]

  • Film review: Trash is Richard Curtis’ best work since Blackadder Goes Forth

    January 30, 2015

    Cert 15 | ★★★★☆ Trash is a noir-ish political thriller that draws attention to the deep social and economic problems of the developing world without sacrificing on plot. It’s a welcome surprise from the director of Billy Elliot and the writer of Love Actually about children living and working in a Brazilian dump. Pursued by [...]

  • Film review: Kingsman recalls the days when spy movies were fun

    January 30, 2015

    Cert 15 | ★★★★★ Kingsman is the best Bond film Roger Moore never made. Gentlemen spies in immaculately tailored suits battling flamboyant villains bent on global destruction; the plot is pure Moonraker, albeit with an origin story, class warfare, better jokes and flashier production values. The team behind Kick Ass have created a pop-culturally literate, [...]

  • Theatre review: The Ruling Class at Trafalgar Studios

    January 30, 2015

    Trafalgar Studios | ★★☆☆☆ Britain’s poshness obsession reaches new heights in The Ruling Class, a 1968 Peter Barnes play that shows its age in every scoffing caricature and fusty, laboured punchline. Aristocratic power may be super-relevant in today’s poshocracy, but the fact that it’s topical doesn’t mean this play has anything profound to say. Somewhere [...]

  • Film review: Inherent Vice star Joaquin Phoenix rises to the challenge

    January 29, 2015

    Cert 15 | ★★★★☆ The trailer for Inherent Vice achieves a rare thing: it perfectly conveys the tenor of the film without giving anything away. In two minutes, we’re introduced to the woozy Californian setting and the entire colourful cast of characters. But as to what actually happens in the film, we’re left guessing.   [...]

  • Something for the weekend

    January 29, 2015

    DRINK MEDCALF TRAITEUR Medcalf Traiteur is the latest foodie destination to open in Islington’s Clerkenwell. The delicatessen specialising in European produce also has an informal chef’s table so you can sample edible goodies in-store. Visit medcalfbar.co.uk BOWL THE BIG LEBOWSKI PARTY Head down to Bloomsbury Bowling Lanes tonight for an evening celebrating the Coen brothers’ [...]

  • Art review: Rubens and his Legacy at the Royal Academy

    January 23, 2015

    Royal Academy | ★★★☆☆ How do you celebrate an artist when you only have access to a meagre handful of his best works? You curate an exhibition dedicated to his “legacy” and fill it with the works of every great, good and terrible artist ever to have had a passing thought about said artist.    [...]

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