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Culture

  • Photography review: Human Rights and Human Wrongs

    February 20, 2015

    Photographers’ Gallery | ★★★★☆ Starting with the 1948 Universal Declaration of Human Rights, the Human Rights and Human Wrongs exhibition features 300 prints taken from the Black Star collection of twentieth century photoreportage. The prints depict racism, oppression and a common struggle uniting movements as diverse as American Civil Rights and north Africans’ attempts at [...]

  • Magnificent Obsessions: The Artist as Collector – art review

    February 20, 2015

    Barbican | ★★★★☆ What art do artists like? From Damian Hirst’s extensive collection of stuffed animals and skulls to Peter Blake’s near-bottomless stock-pile of vintage road signs, many of today’s leading artists are as enthusiastic about accumulating stuff as they about making it. Over two levels of the Barbican, Magnificent Obsessions presents 8,000 objects belonging [...]

  • Film review: Duke of Burgundy

    February 20, 2015

    Cert 18 | ★★★★☆ That The Duke of Burgundy’s release falls within a week of a certain other sadomasochistic soap opera is probably no coincidence (get them while they’re still hot), but the association does Peter Strickland’s filthy-but-tender love story a disservice.   We are first introduced to Evelyn, a maid whose sadistic mistress Cynthia [...]

  • Theatre review: Mark Strong stars in A View From the Bridge

    February 20, 2015

    Wyndham’s Theatre | ★★★★☆ The set in Ivo van Hove’s lauded adaptation of Arthur Miller’s classic A View From the Bridge (first shown at the Young Vic in 2014) evokes both a boxing ring and a pagan temple. It’s an ideal space for a play in which desire wrestles with reason on the way to [...]

  • Film review: Cake – the one where Jennifer Aniston feels sorry for herself

    February 19, 2015

    Cert 15 | ★☆☆☆☆ Since Friends, Jennifer Aniston has gone on to build a successful, if not groundbreaking, career as a commercially bankable but critically patronised American sweetheart. But she wants more. She wants respect. She wants awards. She wants – whisper it – to do a McConaughey.    Cake isn’t Aniston politely asking to [...]

  • Something for the weekend

    February 19, 2015

    DRINK! LONDON BEER WEEK Round off the week with round of delicious ales at London Beer Week. A £10 LBW wristband entitles you to discounted pints at a number of watering holes around London. Brewery tours and brewing masterclasses are also on offer. Visit londonbeerweek.com PARTY! CHINESE NEW YEAR Chinese New Year fell yesterday but [...]

  • Half term! Imagine Children’s Festival 2015

    February 13, 2015

    If you’re struggling to think of what to do this half term, head down to the Southbank Imagine Children’s Festival. A diverse programme of activities features readings from top authors including Russell Brand, Judith Kerr, Lauren Child, Anthony Horowitz and Helen Skelton.  For something more lively you can clap along to live performances of Charlie [...]

  • Film review: Coherence has the kernel of something interesting but doesn’t hold together

    February 13, 2015

    Cert 15 | ★★☆☆☆ Coherence is soft science fiction slush that simply doesn’t hold together. As four couples meet for dinner, a mysterious comet streaks through the heavens, cracking mobile phone screens, fracturing reality, and encouraging the kind of ill-informed, feng shui and quantum theory-tinged, new age, nonsense-strewn dinner party conversation that makes you hope [...]

  • Theatre review: How To Hold Your Breath at the Royal Court

    February 13, 2015

    Royal Court | ★★☆☆☆ Zinnie Harris’ How To Hold Your Breath begins with an intimate encounter. A man is alarmed to find the stranger he slept with isn’t a prostitute. She’s offended by his attempt to pay. It’s a zippy opening that makes the rest of the play feel leaden.    The action shifts uncomfortably [...]

  • Sargent: Portraits of Artists and Friends – art review

    February 13, 2015

    National Portrait Gallery: ★★★★★ Despite enjoying a successful career as a portraitist in the late 1800s, John Singer Sargent was overtaken by the lurch toward abstraction that took place in the subsequent century. His luscious, august paintings of society figures seemed to pull in the opposite direction to those throwing off the figurative constraints of [...]

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