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Culture

  • Kate Moss, Cara Delevigne and Lily Cole are in Vogue at the National Portrait Gallery

    February 11, 2016

    The National Portrait Gallery | ★★★★☆ The National Portrait Gallery’s Vogue 100 exhibition is an epic stroll through a century of photography from fashion’s undisputed powerhouse. The trail leads backwards, opening with vast prints of the most recognisable faces from today’s magazines; Cara Delevingne gives way to Lily Cole, who gives way to Kate Moss. The [...]

  • Pride and Prejudice and Zombies review – plus the rest of this week’s biggest film releases

    February 11, 2016

    Pride and Prejudice and Zombies (15) | ★★☆☆☆ Dir: Burr Steers Rarely has a film been more self-explanatory than this horror comedy which re-imagines Jane Austen's classic in the midst of a zombie apocalypse, with both the Bennet sisters (including Lily James's Elizabeth) and Mr Darcy (Sam Riley) now highly trained to fend off the [...]

  • Battlefield at the Young Vic draws effective parallels between Syria and the Mahabharata

    February 11, 2016

    Young Vic | ★★★☆☆ Can a 2,500-year old story tell us something new about the human condition? That was presumably one of the considerations of 90-year old playwright Peter Brook and his long time collaborator Marie-Helene Estienne when they returned to an Indian epic, the Mahabharata. Having already told the story through their nine-hour 1989 [...]

  • Deadpool film review: fresh and funny but fails to break new ground

    February 11, 2016

    Dir. Tim Miller | ★★★☆☆ Deadpool was born out of the comic book nadir of the early 1990s, when super-hero books tended towards the morose and the self-indulgent. It was a time when muscles were big and boobs were bigger. Rob Liefeld's wise-cracking mercenary Deadpool, AKA Wade Wilson, was a breath of fresh air amidst the [...]

  • Need some Valentine’s Day ideas? We’ve got you covered with our expert guide to the perfect date

    February 10, 2016

    It’s almost Valentine’s Day, the yearly celebration of big kisses on the mouth, so you know what that means: candle-lit dinners, small boxes of chocolate cubes, asking your beloved to turn all the lights on and off in quick succession to create a strobe effect as you dance every kind of forbidden sex-dance there is. But [...]

  • Trumbo sees Bryan Cranston peddling contraband. Again.

    February 4, 2016

    Dir Jay Roach  | ★★☆☆☆ Bryan Cranston plays a brilliant, put-upon middle-aged man who is forced into peddling contraband in order to provide for his family. This time his drug of choice isn’t meth but Hollywood scripts, which he’s banned from writing – along with dozens of others – because of his Communist party membership. [...]

  • Escaped Alone: Caryl Churchill’s incisive take on four women’s friendship has an absurdist streak

    February 4, 2016

    Royal Court | ★★★★☆ At 77, Caryl Churchill isn't so much slowing down as paring down, Pinter-style. Lately, the veteran dramatist – prolific as ever – has been trimming her running times and discarding the grand experimental gestures of her early work, while keeping her wit and moral seriousness. Escaped Alone hews to the trend: [...]

  • The Master Builder starring Ralph Fiennes at the Old Vic is a masterful adaptation

    February 4, 2016

    The Old Vic | ★★★★☆ Being an Ibsen play, The Master Builder has its fair share of existential angst, with nods to the bitter futility of the human condition, which compels us to drag ourselves through the misery of life, all the while dreading the only thing that will finally relieve us of the torment. But [...]

  • Dad’s Army review: The film version of the classic TV show is far from doomed

    February 4, 2016

    If there’s a better film to watch with your father than Dad’s Army, I can’t think of it. “I was sceptical in ‘68, but it turned out to be my favourite programme,” noted mine. Certain quarters have given this film a hard time, decrying its feeble humour and comfortingly predictable plot – involving a German [...]

  • Ma Rainey’s Black Bottom review: a powerful and blues-driven exploration of 1920s race relations

    February 4, 2016

    National Theatre | ★★★★☆ In this National Theatre production of August Wilson’s 1982 play, larger than life blues legend Ma Rainey commits her performance of Black Bottom to vinyl, in a troubled recording session that becomes an incisive metaphor for black American experiences and white exploitation. (Black Bottom, if you were wondering, was the 1920s’ answer [...]

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