Mamma Mia!: Here We Go Again review: A joyous summer fling that you’ll either love or hate July 20, 2018 I’ve never met a mum who didn’t like the film version of ABBA musical Mamma Mia. You can see why; it blasted them back to a past when you could leave the house in a spangly jumpsuit and dance to Waterloo in a club even if it wasn’t Cheese Night. And at heart, it was [...]
Pity at the Royal Court review: A shambolic take on modern society that has big ideas but abject execution July 20, 2018 Last year was a difficult time for the National’s Olivier theatre, with a run of less-than-brilliant productions that was enough for some to speculate it had lost its touch. A case in point was lacklustre modern fairytale Saint George and the Dragon written by Rory Mullarkey, a kind of Brexit pantomime for adults that [...]
The Lehman Trilogy at the national Theatre review: An astonishing play about the banking dynasty by a red-hot Sam Mendes July 19, 2018 To a generation, Sam Mendes is synonymous with Oscar-winning Hollywood films, from the introspective dramas of American Beauty and Revolutionary Road to big budget blockbusters like Skyfall and Spectre. But his relationship with the stage is far more enduring, beginning a decade before his cinematic debut, and encompassing a stint as artistic director of [...]
Hotel Artemis film review: A stylish but ultimately disappointing homage to John Wick July 19, 2018 Hotel Artemis is a film of almosts. It almost belies its meagre $14m budget. It almost has something to say about contemporary America. It almost puts an interesting sci-fi spin on a classic crime caper. It’s almost good. It begins with a paint-by-numbers bank heist gone awry, although this is soon revealed to be [...]
Skyscraper review: Dwayne Johnson jumping around on top of a tall building is precisely as entertaining as that sounds July 12, 2018 Having recently fought a malevolent board game in Jumanji: Return to the Jungle, and wrestled giant mutant monsters in Rampage, Hollywood’s busiest stack of sentient beef Dwayne Johnson is back to face off against his largest foe yet, the world’s tallest skyscraper. Mountains and small moons must now be shaking in their enormous boots, [...]
Pressure review: David Haig’s geeky play highlights one of World War Two’s most interesting footnotes June 22, 2018 If there’s one thing the British enjoy more than talking about the weather, it’s making the glib observation that the British enjoy talking about the weather. But David Haig’s high-stakes play about cold fronts is anything but banal weather chat. Pressure is a love letter to the country’s uniquely capricious skies, telling the true [...]
Freak Show review: A coming of age queer comedy undermined by an unlikeable hero June 22, 2018 A coming-of-age high-school comedy-drama about a queer teenager alienated for his fabulous and gender-smashing fashion sense, Freak Show casts rising star Alex Lawther (The Imitation Game) as the camp-as-tits Billy Bloom. He idolises his cackling diva mother (Bette Midler), but when she up and vanishes he’s forced to move to his father’s sprawling stately [...]
Machinal at the Almeida review: Sophie Treadwell’s play is a wild, expressionistic ride through the Kafkaesque production-line of life June 15, 2018 Machinal opens in a loud and lairy 1920s office. Overlapping conversations about sex and romance are given a staccato rhythm by the clack and ding of a dozen typewriters. The question on everyone’s lips is: who’s sleeping with who? The juiciest gossip focuses on the girl who’s missing, her empty desk made all the [...]
Here are the nine biggest new game announcements from E3 2018 June 13, 2018 This year's E3 conference in Los Angeles ushered in some fresh announcements alongside a raft of previously revealed games. As the show draws to a close, here's a selection of the biggest trailers from E3 2018. CyberPunk 2077 Release date: 2019 on PS4, XBO and PC Polish studio CD Projekt Red is best known [...]
Translations at the National Theatre review – a smart look at British imperialism on the island of Ireland June 8, 2018 Calling on the fearsome technical resources of the National Theatre, Ian Rickson’s new production of Brian Friel’s Translations is accomplished if not revolutionary. Set in Ireland’s County Donegal in 1833, it deals with the overwriting of landscapes by empire and the entwining of language with identity. It’s the tale of a “hedge-school” in the community [...]