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      Cirque du Soleil OVO, Royal Albert Hall review: Amazing tricks, okay clowns

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Culture

  • Art review: Rubens and his Legacy at the Royal Academy

    January 23, 2015

    Royal Academy | ★★★☆☆ How do you celebrate an artist when you only have access to a meagre handful of his best works? You curate an exhibition dedicated to his “legacy” and fill it with the works of every great, good and terrible artist ever to have had a passing thought about said artist.    [...]

  • Film review: Beyond Clueless explores a golden age of teen movies

    January 23, 2015

    Cert 15 | ★★★★☆ Fairuza Balk’s sultry croak guides us on a hypnotic journey through the teen movie genre in Charlie Lyne’s debut feature Beyond Clueless. Lyne skilfully marries heartfelt affection and academic distance in his cine-essay comprised of hundreds of clips taken from films released during one of the great golden ages of the [...]

  • Theatre review: Bull at the Young Vic

    January 23, 2015

    Young Vic | ★★★☆☆ Mike Bartlett’s one act play, Bull, gives us a Hobbesian view of office-life with backstabbing and conniving aplenty. And at a scant 55 minutes, it’s “nasty, brutish and short”.   Tony, Isobel, and Thomas, are a trio of grasping would-be Apprentice-types, awaiting the arrival of their boss, Carter, who will decide [...]

  • Film review: Ex Machina is a psychological techno-thriller tour de force

    January 23, 2015

    Cert 15 | ★★★★★ With everyone from Stephen Hawking to Elon Musk warning we’re about to be slaughtered by artificial super-intelligences, Ex Machina is a timely reflection on consciousness, creativity, hubris, and the possibilities that await us just around the corner. Author-turned-screenwriter Alex Garland’s directorial debut is a psychological techno-thriller tour de force.    Caleb [...]

  • Film review: A Most Violent Year is a most intelligent movie

    January 22, 2015

    Cert 15 | ★★★★☆ In an early scene in JC Chandor’s A Most Violent Year, budding oil entrepreneur Abel Morales (Oscar Isaac) stares his employees in the eyes and says, “You will never do anything as hard as staring someone in the eye and telling the truth.” This rings especially true in their world, where [...]

  • Something for the weekend

    January 22, 2015

    PARTY BEYOND CLUELESS FRAT PARTY Celebrate the release of Charlie Lyne’s love letter to the teen movie genre with a screening followed by a frat party at the ICA including beer pong, a prom night photo studio and plenty of red cups. From £8, visit ica.co.uk CELEBRATE BURNS HIGHLAND SWING AT BOISDALE Head to Boisdale [...]

  • What to watch, see and listen to in 2015: From Avengers and Shaun the Sheep to an exhibition about beards

    January 21, 2015

    Our pick of the upcoming films, music art and theatre.   FILM SELMA David Oyelowo in Selma   6 February This movie chronicles Martin Luther King’s epic march from Selma to Montgomery as part of the civil rights movement, which culminated in President Johnson signing the Voting Rights act of 1965. English actor David Oyelowo [...]

  • Film review: Whiplash is in need of a (script) doctor

    January 16, 2015

    Cert 15 | ★★★☆☆ Whiplash opens with a shot of 19-year-old Andrew (Miles Teller) practising the drums in a room in the Julliard-like conservatory he attends, apparently alone. He soon notices he’s being watched by Fletcher (JK Simmons), the notorious conductor of the school’s jazz band. There ensues a tense exchange in which Fletcher barks [...]

  • Theatre review: Women on the Verge of a Nervous Breakdown

    January 16, 2015

    Playhouse Theatre | ★★★★☆ Oh, to be one of Pedro Almodovar’s women, constantly in and out of love, popping pills and jumping off balconies. The Spanish director is well-known for his love of erratic women and it doesn’t get more exhausting than Women on the Verge of a Nervous Breakdown. This is the second time [...]

  • Art review: Adventures of the Black at Whitechapel Gallery

    January 16, 2015

    Whitechapel Gallery | ★★★★☆ In the final, shattering line of Anthem for Doomed Youth, Wilfred Owen writes of “a drawing down of blinds.” This returned to me when standing before Kazimir Malevich’s Black Square, painted exactly a century ago when hundreds of thousands of young soldiers were coming up against industrial killing machines for the [...]

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