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      No, you don’t have Chardonnay. Here’s why it’s your favourite grape

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Culture

  • iPhone 7 review: A brilliant handset but one that hints at even bigger things to come

    September 21, 2016

    There were no queues around the block for the UK launch of the iPhone 7. Flash floods were a mitigating factor (plus the fact the annual pilgrimage has been on the wane for a couple of years), but I suspect it’s also because it looks so damn similar to the last one. The aluminium chassis [...]

  • Destiny: Rise of Iron news – Gjallarhorn returns in an update that gives the fans what they’ve been waiting for

    September 20, 2016

    Destiny's previous expansion, The Taken King, was a bit of a relief. It helped to simplify the more frustrating progression elements, meaning, for example, that when you finally obtained a much-sought after piece of gear (one that you had killed countless sentient beings for) you could start using it right away, rather than having to collect [...]

  • The Beatles: Eight Days A Week review: Ron Howard has made the definitive Beatles documentary

    September 16, 2016

    Eight Days A Week is a fascinating look at a vital few years in the story of The Fab Four, covering their initial success, Beatlemania, and the unprecedented American success that caught a country unawares. Films about The Beatles often struggle to capture why they made such an impact. In Ron Howard's film archive footage [...]

  • Doctor Faustus at the Barbican review: a lively, relevant morality tale

    September 15, 2016

    Shakespeare’s contemporary Christopher Marlowe certainly gave him a run for his money when it came to blood and gore. Even a modern audience can’t help but flinch when the titular doctor slices his arm open – three times no less – to make an unholy pact with the devil. In fact, it’s these darker forays [...]

  • Dream Play at The Vault review: A profoundly odd exploration of human emotion

    September 15, 2016

    Very roughly based on the story of an alien who visits Earth to experience the full gamut of human emotions, Dream Play presents a series of disjointed vignettes that teeter on the fuzzy precipice between real and abstract. That’s to say, it’s supremely odd. Actors repeatedly swap characters as the audience moves from room to [...]

  • The Infiltrator review: Brian Cranston makes for an underwhelming lead in this coke-fuelled true story

    September 15, 2016

    In the years since Breaking Bad, Bryan Cranston has struggled as a movie lead, with the underwhelming Trumbo being followed by this true story of Bob Mazur, an undercover customs agent who goes deep into the operations of Pablo Escobar. Despite a confident performance from Cranston, who skates the line between good and evil as [...]

  • Bridget Jones lives next to a hospital, right, so why does it take her so long to get to a maternity ward when she goes into labour. It doesn’t make sense

    September 15, 2016

    Here’s a thing. Bridget Jones lives on Bedale Street, close enough to Borough Market that she could swan dive from her bedroom window and land in a basket of organic, gluten-free sourdough, or one of those massive iron pans filled with Ethiopian curry. Directly across the road from her flat is Guy’s Hospital (the tallest [...]

  • Blair Witch: this 2016 sequel to the found-footage classic has plenty of scares but little new to offer

    September 15, 2016

    The Blair Witch Project was the product of a more innocent time. Back in 1999, people believed the film might have been a genuine documentary about some kids being murdered by a witch. Actor Heather Donahue, who played a fictional version of herself, even complained that “being dead” had an adverse affect on her career. [...]

  • The Alchemist at the Barbican review: this brilliant 17th century morality play still feels searingly relevant

    September 15, 2016

    Ben Jonson’s The Alchemist is an invigorating blend of clever script and silly performances, in which three con artists make an uneasy alliance to fleece the unsuspecting citizens of 17th century London. First performed in 1610, The RSC’s revival at the Barbican reveals a play that’s still funny, and not just in the way you [...]

  • Revolt. She Said. Revolt Again at Shoreditch town hall review: an angry, uncomfortable but worthwhile play

    September 12, 2016

    Revolt. She Said. Revolt Again begins as a series of smart, unconnected sketches exploring ways in which women are subjugated, and ends up a chilling experimental dreamscape in which language and structure have entirely broken down. Featuring no backdrop, few props and four actors playing a series of unnamed characters, this is minimalist theatre taken [...]

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