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Culture

  • Mike and Dave Need Wedding Dates review: a backwards buddy movie that wastes Aubrey Plaza and Anna Kendrick

    August 9, 2016

    Mike and Dave are brothers, but more than that, they’re lads. When these liquor salesmen aren’t drowning in their own supply, they’re driving a banterbus made of LOLZ. Understandably, younger sister Jeanie hates them, but she’s getting married and feels some familial urge to invite them, despite them being total dicks. Mike and Dave have [...]

  • Yerma at the Young Vic review: Billie Piper shows her acting chops but the production lacks poetry

    August 8, 2016

    Inspired by Federico García Lorca’s play of the same name, the Young Vic’s new production of Yerma (Barren) is well acted and inventively staged, but undermined by a misguided impulse to modernise. The original was set in rural Spain, following a young woman penned in by society and her beliefs, whose increasingly desperate desire for [...]

  • Young Chekhov at National Theatre review: this triple bill of Platonov, Ivanov and The Seagull gives fresh perspective on one of the great dramatists

    August 5, 2016

    Chekhov has a reputation as a miserabilist, due in large part to his recurring themes of suicide and existential dread. But this does a disservice to the comedy that runs through his work – and thank goodness it does, because if his plays were as gloomy as people tend to think, eight hours of them [...]

  • Rotterdam at Trafalgar Studios review: A touching and laugh-out-loud comedy about being transgender

    August 4, 2016

    “Rotterdam is anywhere/anywhere alone” sang The Beautiful South back in the days of Britpop. Anywhere is right: the Dutch port city acts not only as a setting for this West End transfer, but also as a metaphor for transition, a halfway house where no one feels they truly belong. The story follows three British expats [...]

  • Exposure review: A cringe-inducing musical so awful it ascends like some horrible bird into a delirious realm of brilliant, unintentional comedy

    August 4, 2016

    Like Chekhov’s prophetic gun above the mantle, any character who proudly shows off an ultrasound of their unborn son guarantees their own near-immediate demise. In this wonderfully terrible musical, a photographer barely has the foetal-snap out of his pocket before he’s bitten to death by snakes. His already grieving, prenatal son then explodes from rear [...]

  • Suicide Squad movie review: Jared Leto’s strong Joker game can’t save a film that’s too fixated on Margot Robbie’s behind

    August 2, 2016

    There are lots of reasons to dislike Suicide Squad. It shamelessly fetishises guns, for instance, which in the current climate feels pretty distasteful. There are guns emblazoned with “love” and “hate”, guns made out of gold, guns that fly through the air in slow motion. It shamelessly objectifies women, particularly Margot Robbie and more particularly [...]

  • Harry Potter and the Cursed Child review at the Palace Theatre: A sappy script but possibly one of the best staged plays the West End has ever seen

    July 28, 2016

    JK Rowling’s Harry Potter series stood apart from the canon of children’s literature by allowing its characters to grow up. Peter Pan famously never aged and Just William was 11-years-old for about 50 years. Harry, Ron and Hermione, on the other hand, were in their late 30s by the end of the seventh book, sending [...]

  • Now We Are Here at the Young Vic gets to the human stories behind the refugee crisis

    July 28, 2016

    This latest play in the Young Vic’s refugee season was written by refugees themselves, in collaboration with local writers. In the first half, three actors take it in turns to tell the stories of Desmond, Mir and Michael (played with real charm by Gary Beadle, Manish Gandhi and Jonathan Livingstone). They sit on chairs and [...]

  • The Plough and the Stars at National Theatre’s Lyttelton: an emotional haymaker about the 1916 Easter Rising

    July 28, 2016

    There’s a tried and tested formula to Sean O’Casey’s 1926 play The Plough and the Stars: he makes us care for his cast of quick-talking, hard-drinking Irish men and women, and then he makes us watch as their lives fall irrevocably apart. The sense of inevitability doesn’t make it any easier. The play caused riots [...]

  • Jason Bourne review: Matt Damon returns to the Paul Greengrass-directed franchise, but finds himself in surprisingly shallow waters

    July 27, 2016

    Paul Greengrass returns to direct this fourth instalment of the Bourne franchise, with a plot cobbled thinly together from the previous three. Bourne (Matt Damon) is brought back from the cold when villainous Agency head honcho Robert Dewey (Tommy Lee Jones) starts a covert intelligence program – Ironhand – operating beyond the radar of the [...]

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