Love at the National Theatre: an important play about welfare in Britain that’s appropriately unenjoyable December 14, 2016 Love, at the National Theatre, is not the poverty porn that so often clutters the London stage, but a powerful indictment of the shocking state of social housing, social care, and social welfare in Britain today. Writer-director Alexander Zeldin presents a group of disparate people forced to live side-by-side in emergency housing, and the grinding [...]
Hedda Gabler at the National Theatre review: Ruth Wilson is deliciously neurotic in this stylish retelling of Ibsen’s classic play December 14, 2016 It’s astonishing to think this painfully raw, searingly relevant play was first performed 125 years ago. There are moments in this symbolism-heavy production directed by Ivo van Hove that could have crawled from the mind of that enfant terrible of the 1990s Sarah Kane. The world gets older; Ibsen stays the same age. It’s one [...]
A Monster Calls is a moving tale of loss that doesn’t pretend to have any of the answers December 13, 2016 From Harry Potter to the Secret Garden, children’s literature is chock full of orphans. Yet theirs is a rare form of bereavement, usually the result of a tragic accident that happened without warning at an age they barely remember. In A Monster Calls, 12-year-old protagonist Conor O’Malley faces up to a more common, brutal reality; [...]
The Last Guardian review: 10 years in the making, Fumito Ueda’s new game is a flawed work of genius December 13, 2016 Playing The Last Guardian is like booting up a fondly half-remembered game from your childhood. Almost 10 years in the making, Japanese designer Fumito Ueda’s follow-up to his elegiac PS2 titles Ico and Shadow of the Colossus comes with a monumental weight of expectation; its protracted development – only snippets of which were glimpsed over the years [...]
Peter Pan at National Theatre: this off-kilter adaptation is as as bewildering as it is beguiling December 9, 2016 The National Theatre’s adaptation of Peter Pan is a hectic, colourful experience that should appeal to young and old alike. It’s also all over the place in terms of its treatment of JM Barrie’s long-serving fairytale, by turns reactionary and radical. Director Sally Cookson leaves the barrier between story and stage machinery engagingly fluid – [...]
Zaha Hadid at Serpentine Sackler Gallery review: a surprising, inspiring look at a true great December 9, 2016 Zaha Hadid’s iconic buildings can be found everywhere from Beijing to Brixton, a distinctive baroque modernism that curves organically across some of the most famous skylines. Less well known are the notoriously fiery architect’s paintings, many of which pre-date her first completed project. They are collected for the first time in this Serpentine exhibition, commissioned [...]
This lively adaptation of Pride and Prejudice squeezes twenty characters out of two actors December 8, 2016 Jane Austen’s novels are about the macrocosm in the microcosm. They are about the discreet play of agendas that turn a regency drawing room gathering into an epic battle of wills, for those lively enough to read between the lines. Johannah Tincey’s adaptation of Pride and Prejudice explores this polite, compact ferocity by casting two [...]
Once in a Lifetime at the Young Vic review: Harry Enfield fails to set fire to this dated Hollywood comedy December 8, 2016 Recent years have seen a slew of productions about Hollywood, from the magic of its inception in Travelling Light to its seedy latter days in Speed-the-Plow. Falling chronologically between the two is George S Kaufman’s bawdy 1930 comedy Once in a Lifetime, which charts the upheaval brought about by the arrival of the “talkie”. In [...]
Buried Child at Trafalgar Studios: Ed Harris shines in this searing portrait of a decaying America that’s the perfect prelude to Trump December 8, 2016 Buried Child, first performed in 1978, feels like it was written for the dog days of 2016. Sam Shepherd’s quietly crushing portrait of entropy and despair is concerned with those disillusioned white working classes that have dominated the news agenda since 8 November. It’s about the death of the American dream in the wake of [...]
Aladdin at Lyric Hammersmith is the playful reinvention that combines flying carpets with Brexit jokes December 6, 2016 Some pantomimes rely on hiring former celebrities to lure in the crowds – “Where are the best years of my career?” “Behind you!” This production has no need for such gimmicks, having instead a tight script that playfully reinvents a classic, high-energy dancing, inventive use of pop songs, engaging performances, and lots of audience participation. It [...]