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      Reform UK donations sting ‘looks bad,’ admits Farage

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      Women’s rugby can teach the men’s game exactly what it needs right now

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      Electra/Persona at the National Theatre review: A dull mash-up of Sophocles and Bergman

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Culture

  • The Father review: Anthony Hopkins’ disturbing Oscar moment

    June 8, 2021

    After a year of being shuffled around the Covid-hit release schedule, The Father finally arrives on the big screen, hoping to show why it generated so much buzz on the awards circuit. Sir Anthony Hopkins won a second Oscar at 85 years old for playing Anthony, a retired man battling against advancing dementia. His memory [...]

  • The Death of a Black Man at Hampstead Theatre review

    June 4, 2021

    It’s a sad indictment on society that a play called The Death of a Black Man could have been written in just about any era of modern history, about more black men than you could ever hope to name. Today it perhaps most strongly recalls the death of George Floyd, whose murder last year by [...]

  • After Love film review: A captivating story of grief

    June 3, 2021

    Many independent dramas deal with the subject of grieving, a topic too sombre for commercial films but one that remains pertinent to everyone. However, Aleem Khan’s debut feature takes an unusual route to tell its story even for a film outside of the mainstream.  Joanna Scanlan stars as Mary, a British woman converted to Islam [...]

  • Dream Horse review: A sentimental underdog story about a horse

    June 2, 2021

    For nearly thirty years, British film has specialised in a certain type of underdog comedy. Stories about people from small, usually downtrodden towns reaching for their dreams and achieving the impossible (it also helps if it’s vaguely inspired by a true story). In the 90s films including The Full Monty and Brassed Off set a [...]

  • A Quiet Place Part II review: Horror sequel well worth the wait

    June 2, 2021

    Along with Peter Rabbit 2 and No Time To Die, A Quiet Place II was one of the movies that signalled cinemas would be uniquely impacted by the events of the last year. We’re still waiting on Bond, but Peter Rabbit 2 arrived recently to a rapturous reception from audiences (slightly less so from critics). [...]

  • Black tie, white noise: let’s make summer the new party season

    June 1, 2021

    With the last restrictions of the pandemic due to be lifted in mere weeks, we all deserve to celebrate. We think of the run-up to Christmas as the typical ‘party season’, but Yuletide seems a long way off. Let’s claim this summer for celebrations, and burst out of lockdown with a grateful song in our [...]

  • Where to watch Euro 2020 in London: Top beer gardens

    May 29, 2021

    After a mad, harrowing year, it seems difficult to believe that Euro 2021 is mere weeks away – and that the biggest games will be taking place in London. For fans without tickets to the tournament, which runs from 11 June to 11 July, watching at the pub looks set to be a game of [...]

  • The return of DocHouse: A docu-cinema’s rise from lockdown

    May 28, 2021

    Today sees the return of The Bertha DocHouse, the UK’s first and only cinema devoted entirely to documentaries. The 56-seat cinema is housed at Curzon Bloomsbury, formerly known as The Renoir, in the area’s Brunswick Centre. Historically a monument to obscure independent storytelling, DocHouse’s presence continues that tradition by highlighting a genre many now associate [...]

  • Ben Whishaw goes off the deep end in tense debut feature Surge

    May 27, 2021

    Debut features from new directors are exciting prospects. They can be unfiltered, rough and ready works that jump out of the screen and smack you across the face. They can also be derivative junk whose name you forget before the credits have even rolled. For Aneil Karis, an award-winning short filmmaker, Surge falls firmly into [...]

  • First Cow movie review – pure cinematic moo-phoria

    May 27, 2021

    For European fans of independent filmmaker Kelly Reichardt, it’s been a long wait for the director’s first film since 2016’s Certain Women. Released at the beginning of March 2020 in the US, we’ve had to wait over a year longer because… well, you know why. Nevertheless, First Cow is a pleasant period piece that is [...]

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