Bill Murray’s film Rock the Kasbah is ill-conceived, poorly-executed March 17, 2016 In Rock the Kasbah’s universe, all we need to do to end the troubles in the Middle East is send Bill Murray out there to tell them all what’s what. Murray essentially plays himself playing a struggling talent manager, whose paltry existence on the periphery of the industry is propped up by hustling X-Factor wannabes. [...]
Motown the Musical’s songs deliver, but the lack of story lets it down March 17, 2016 Shaftesbury Theatre | ★★☆☆☆ If you don’t like at least one song released on the Motown label between 1960 and 1975, you’re utterly joyless and there’s something wrong with you. Berry Gordy’s hugely successful label discovered a young Michael Jackson, Stevie Wonder, Marvin Gaye and Smokey Robinson among literally hundreds of others. Many of their hits [...]
The Royal Academy’s In the Age of Giorgione promotes a little known but pivotal painter of the Italian Renaissance March 9, 2016 Royal Academy | ★★★★☆ In the Age of Giorgione argues that this elusive painter, of whom little is known and to whom only a handful of surviving paintings have been definitively attributed, was a pivotal figure in Venetian art in the 16th century. It says, “his influence was profoundly felt by contemporaries”, yet the show is [...]
Akhnaten by the ENO is a brilliantly inventive collision of art forms that hovers between the sublime and the ridiculous March 9, 2016 Royal Opera House | ★★★★☆ More high art burlesque than opera, this spectacular new production of Akhnaten hovers somewhere between the sublime and the ridiculous, and often it’s hard to tell where. There hasn’t been a full production in the UK for almost three decades and a heady sense of anticipation means that Akhnaten is already [...]
Anomalisa’s puppetry is more powerful than most live action human dramas March 9, 2016 Anomalisa (PG) | Dirs. Duke Johnson, Charlie Kaufman ★★★★★ It’s been a while since we’ve heard from Charlie Kaufman. Having spent much of the 2000s writing films that became instant classics (Adaptation, Eternal Sunshine of The Spotless Mind) he capped off the decade with his directorial debut, Synecdoche, New York, which divided critics, but to many [...]
I See You review: A tense exploration of identity, race and language in post-apartheid South Africa March 8, 2016 Royal Court | ★★★☆☆ Language is all tangled up in history and identity, a thick linguistic rope wound tight around an ancestral flagpole. Set in post-apartheid South Africa, I See You considers what happens when that rope breaks and a language is lost, and asks whether it’s what you speak, rather than what you say, [...]
London Has Fallen film review and other big releases this weekend March 4, 2016 London Has Fallen (15) | Dir. Babak Najafi ★★☆☆☆ Olympus Has Fallen was a surprise hit three years ago thanks to some old school plotting and a tailor made action hero in Gerard Butler. He returns as CIA Agent Mike Banning, who must protect the President (Aaron Eckhart) when the funeral of the British PM is [...]
This wildly reimagined A Midsummer Night’s Dream is riotously fun March 3, 2016 Hammersmith Lyric | ★★★★☆ There are few things more tragic than Shakespeare’s comedies. The plots are silly, the pacing is woeful, and what jokes there are are usually buried in such antiquated language and stale cultural references that you need a degree in early modern literature to have a chance of properly appreciating them. But Filter [...]
Hail, Caesar! is a witty love letter to Hollywood’s Golden era March 3, 2016 Dir. Joel and Ethan Coen | ★★★★☆ "Squint! Squint into the grandeur!” a film director yells as George Clooney, in a swinging leather skirt and scabbard, peers earnestly into the camera. He looks ridiculous, but then who wouldn’t? This image is the Coen brothers’ latest star-studded comedy in a nutshell, and thanks to their particular [...]
Botticelli Reimagined is a blockbuster show full of ideas and insights March 3, 2016 V&A | ★★★★★ When an exhibition says it will focus on an artist’s “influence”, it’s often a signal that it hasn’t got enough of his or her work to show. The Royal Academy’s disastrous Rubens and His Legacy and the National Gallery’s Delacroix and the Rise of Modern Art are cases in point, both containing far [...]