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Culture

  • Government blocks sale of rare Wedgwood vase

    December 15, 2016

    The culture minister has blocked a rare Josiah Wedgwood vase from leaving the country. The “Basaltes” vase was sold in July to an unnamed bidder for almost half a million pounds. However, it is hoped that an alternative buyer from the UK can raise an equivalent amount of £482,500 (plus £16,500 VAT) in order to [...]

  • Dreamgirls review: Glee star Amber Riley yells the house down in the first Dreamgirls production to come to London

    December 15, 2016

    This is the first time Dreamgirls has been performed in the West End, and it’s a production that’s sure to echo down the years, purely for the diabolical racket it kicks up. The mics might have been turned up to 11 – not necessary in the tiny Savoy Theatre – but the primary source is [...]

  • Love at the National Theatre: an important play about welfare in Britain that’s appropriately unenjoyable

    December 14, 2016

    Love, at the National Theatre, is not the poverty porn that so often clutters the London stage, but a powerful indictment of the shocking state of social housing, social care, and social welfare in Britain today. Writer-director Alexander Zeldin presents a group of disparate people forced to live side-by-side in emergency housing, and the grinding [...]

  • Hedda Gabler at the National Theatre review: Ruth Wilson is deliciously neurotic in this stylish retelling of Ibsen’s classic play

    December 14, 2016

    It’s astonishing to think this painfully raw, searingly relevant play was first performed 125 years ago. There are moments in this symbolism-heavy production directed by Ivo van Hove that could have crawled from the mind of that enfant terrible of the 1990s Sarah Kane. The world gets older; Ibsen stays the same age. It’s one [...]

  • A Monster Calls is a moving tale of loss that doesn’t pretend to have any of the answers

    December 13, 2016

    From Harry Potter to the Secret Garden, children’s literature is chock full of orphans. Yet theirs is a rare form of bereavement, usually the result of a tragic accident that happened without warning at an age they barely remember. In A Monster Calls, 12-year-old protagonist Conor O’Malley faces up to a more common, brutal reality; [...]

  • The Last Guardian review: 10 years in the making, Fumito Ueda’s new game is a flawed work of genius

    December 13, 2016

    Playing The Last Guardian is like booting up a fondly half-remembered game from your childhood. Almost 10 years in the making, Japanese designer Fumito Ueda’s follow-up to his elegiac PS2 titles Ico and Shadow of the Colossus comes with a monumental weight of expectation; its protracted development – only snippets of which were glimpsed over the years [...]

  • Peter Pan at National Theatre: this off-kilter adaptation is as as bewildering as it is beguiling

    December 9, 2016

    The National Theatre’s adaptation of Peter Pan is a hectic, colourful experience that should appeal to young and old alike. It’s also all over the place in terms of its treatment of JM Barrie’s long-serving fairytale, by turns reactionary and radical. Director Sally Cookson leaves the barrier between story and stage machinery engagingly fluid – [...]

  • Zaha Hadid at Serpentine Sackler Gallery review: a surprising, inspiring look at a true great

    December 9, 2016

    Zaha Hadid’s iconic buildings can be found everywhere from Beijing to Brixton, a distinctive baroque modernism that curves organically across some of the most famous skylines. Less well known are the notoriously fiery architect’s paintings, many of which pre-date her first completed project. They are collected for the first time in this Serpentine exhibition, commissioned [...]

  • This lively adaptation of Pride and Prejudice squeezes twenty characters out of two actors

    December 8, 2016

    Jane Austen’s novels are about the macrocosm in the microcosm. They are about the discreet play of agendas that turn a regency drawing room gathering into an epic battle of wills, for those lively enough to read between the lines. Johannah Tincey’s adaptation of Pride and Prejudice explores this polite, compact ferocity by casting two [...]

  • Once in a Lifetime at the Young Vic review: Harry Enfield fails to set fire to this dated Hollywood comedy

    December 8, 2016

    Recent years have seen a slew of productions about Hollywood, from the magic of its inception in Travelling Light to its seedy latter days in Speed-the-Plow. Falling chronologically between the two is George S Kaufman’s bawdy 1930 comedy Once in a Lifetime, which charts the upheaval brought about by the arrival of the “talkie”. In [...]

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