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Culture

Eddie Redmayne as Newt Scamander, a one-man WETMA

Why Fantastic Beasts is a roaring success for Rowling
Melissa York
Melissa York | Staff

An Inspector Calls at the Playhouse theatre: good, cosy fun, but lacking spleen
Simon Thomson
Simon Thomson | Contributor

King Lear is a man again in this Barbican production
Steve Dinneen
Steve Dinneen | Staff

The story of The Stooges is laid bare in Gimme Danger

James Luxford
James Luxford | Contributor

Indignation is a glacially slow Philip Roth adaptation

James Luxford
James Luxford | Contributor

Elton John's personal photography collection is astonishing

Steve Dinneen
Steve Dinneen | Staff

King Lear at the Old Vic review: Glenda Jackson's return to the stage is a triumph

Steve Dinneen
Steve Dinneen | Staff

Here's everything that happened in the sixth episode of The Apprentice
Grace Rahman
Grace Rahman | Contributor

This production of Cymbeline brings Shakespeare's politics to the fore
Melissa York
Melissa York | Staff

American Pastoral drags the American Dream through the bushes

Melissa York
Melissa York | Staff

Arrival is Close Encounters for the Interstellar generation

Steve Hogarty
Steve Hogarty | Staff

Restaurateur Mark Hix talks to artist Gavin Turk

Mark Hix
Mark Hix | Contributor

Capital life is top trumps on so many levels

Steve Vance
Steve Vance | Invest Edinburgh

The most creative murder simulator on the market is here
Sam White
Sam White | Contributor

Culture: Most viewed

Antony Sher as Lear, with his Fool

King Lear is a man again in this Barbican production
Steve Dinneen
Steve Dinneen | Staff

Why Fantastic Beasts is a roaring success for Rowling
Melissa York
Melissa York | Staff

An Inspector Calls at the Playhouse theatre: good, cosy fun, but lacking spleen
Simon Thomson
Simon Thomson | Contributor

The story of The Stooges is laid bare in Gimme Danger

James Luxford
James Luxford | Contributor

Indignation is a glacially slow Philip Roth adaptation

James Luxford
James Luxford | Contributor